The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and SumerSmith, Hermann
History
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and Sumer
Smith, Hermann
Music -- To 500 -- History and criticism
We have one or two flute players who possibly have some idea of their
surpassing merits; but they would be aghast if they found themselves
recipients of such public honours as these in a modern city,—we are so
civilized. Yet stay, did we not receive intelligence how that Sarasate
received some such jubilee welcome on returning to his native place in
Spain, not very long ago! What an old-fashioned corner of the earth
that must be, where the old atmosphere remains unsmoked, and where
the peasants remain and get richly browned in the sun, and dance with
goatskins over their shoulders, and to them there are days of out-door
life still going on, such as are by our race clean forgotten.
To parallel Pindar and Midas, we should have to imagine Tennyson
writing an ode to Sarasate the passionate, the great artist, the dark
browed fiddler on the platform of St. James’s Hall, London! Ah! no,
it will not do; the parallel would be too shaky. We can run excursion
trains, and cram Albert Halls, and our people can shout themselves
hoarse in Fleet Street over the three o’clock winner, and the names of
Patti and Sims Reeves, and Melba, and Jean de Reszke may exhaust our
refined fervour, and the grandeur of heads fitted with unseen crowns
may raise a flickering illusion of glory, and the dazzling crush of
ladies plated with diamonds, may exalt the senses with the pride of
wealth,—but all this, the utmost of the get-up of modern effects, will
pale beside that uprising of citizens, that grand acclaim in open air
over the plain of Crissa to “glorious Midas!”
One day I do remember,—one day fit to be named with the days of
old. Stay a moment, and think what _was_ in those days. Imagine the
concourse of people from all ends of the world; a small world it was
then, and yet how great in men, aye, and in coming men. There, under
the shadow of the great towering crag of Delphi—the centre or “navel”
of the earth, as the Greek poets termed it—with the world-renowned
temple glowing in lily whiteness in the blue air, there the great
games were held,—duty, religion, race, patriotism, drew all men of
Greek birth or parentage to witness or to share in them. Week after
week, from every state and colony, from isle and creek and dented bay,
the flower of Hellas gathered in national pride to swell the host of
spectators at these Panegyreis, called by them “universal gatherings.”
Hither came statesmen and philosophers, merchants and traders, poets
and priests, and people of every degree; streaming up through gorge and
defile, up through groves of pine and laurel and cypress, up to the
broad, bright plain,
Around the spot where trod Apollo’s foot.
Public-domain text, read in full here on John Shaqi.
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