James Fenimore Cooper, born in New Jersey on September 15,
1789, was a hot-headed controversialist of Quaker descent,
who, after a restless youth, partly spent at sea, became the
earliest conspicuous American novelist. Apart from fiction,
Cooper's principal subject was American naval history. Though
he made many enemies and lived in turmoil, the novelist had a
strain of nobility in his character that is reflected
throughout his formal but manly narratives. Love interest
rarely rises in his stories beyond a mechanical
sentimentality; it is the descriptions of adventure that
attract. Nowhere are Fenimore Cooper's vivid powers of
description more apparent than in "The Last of the Mohicans,"
the second in order of the Leatherstocking tales. In the first
of the series, "The Pioneers," the Leatherstocking is
represented as already past the prime of life, and is
gradually being driven out of his beloved forests by the axe
and the smoke of the white settler. "The Last of the Mohicans"
takes the reader back before this period, to a time when the
red man was in his vigour, and was a power to be reckoned with
in the east of America. The third of the famous tales is "The
Prairie," in which Cooper's picturesque hero is laid in his
grave. Despite this, the author resuscitates him in the two
remaining volumes--"The Pathfinder" and "The Deerslayer." Of
these five novels, and, as a matter of fact, of all Cooper's
works, "The Last of the Mohicans" is regarded as the
masterpiece. In it are to be found all the author's virtues,
and few of his faults. It is certainly the most popular,
having been translated into several languages. It was first
published in 1826. Cooper died at Cooperstown, the family
locality, on September 14. 1851.
_I.--Betrayed by the Redskin_
It was the third year of the war between France and England in North
America. At Fort Edward, where General Webb lay with five thousand men,
the startling news had just been received that the French general,
Montcalm, was moving up the Champlain Lake with an army "numerous as the
leaves on the trees," with the forest fastness of Fort William Henry as
his object.
Public-domain text, read in full here on John Shaqi.
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