So Madeline gave her heart and fortune to Nicholas, and on the same day,
and at the same time, Kate became Mrs. Frank Cheeryble. Madeline's money
was invested in the firm of Cheeryble Brothers, in which Nicholas had
become a partner, and before many years elapsed the business was carried
on in the names of "Cheeryble and Nickleby."
Tim Linkinwater condescended, after much entreating and brow-beating, to
accept a share in the house; but he could never be prevailed upon to
suffer the publication of his name as partner, and always persisted in
the punctual and regular discharge of his clerkly duties.
The twin brothers retired. Who needs to be told that they were happy?
The first act of Nicholas, when he became a rich and prosperous
merchant, was to buy his father's old house. As time crept on, and there
came gradually about him a group of lovely children, it was altered and
enlarged; but no tree was rooted up, nothing with which there was any
association of bygone times was ever removed or changed. Mr. Squeers,
having come within the meshes of the law over some nefarious scheme of
Ralph Nickleby's, suffered transportation beyond the seas, and with his
disappearance Dotheboys Hall was broken up for good.
* * * * *
Oliver Twist
"The Adventures of Oliver Twist," published serially in
"Bentley's Miscellany," 1837-39, and in book form in 1838, was
the second of Dickens's novels. It lacks the exuberance of
"Pickwick," and is more limited in its scenes and characters
than any other novel he wrote, excepting "Hard Times" and
"Great Expectations." But the description of the workhouse,
its inmates and governors, is done in Dickens's best style,
and was a frontal attack on the Poor Law administration of the
time. Bumble, indeed, has passed into common use as the
typical workhouse official of the least satisfactory sort. No
less powerful than the picture of Oliver's wretched childhood
is the description of the thieves' kitchen, presided over by
Fagin. Bill Sikes and the Artful Dodger are household words
for criminals, and the character of Fagin is drawn with
wonderful skill in this terrible view of the underworld of
London.
_I.--The Parish Boy_
Oliver was born in the workhouse, and his mother died the same night.
Not even a promised reward of £10 could produce any information as to
the boy's father or the mother's name. The woman was young, frail, and
delicate--a stranger to the parish.
"How comes he to have any name at all, then?" said Mrs. Mann (who was
responsible for the early bringing up of the workhouse children) to Mr.
Bumble, the parish beadle.
Public-domain text, read in full here on John Shaqi.
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