Lucien predicted with absolute confidence the death of Château-Renard.
The challenge was accepted, the same seconds acted, and on the morrow we
assembled in the fatal glade. Château-Renard was obviously uneasy. The
signal was given, both men fired, and, sure enough, Château-Renard fell,
shot through the temple as Lucien had foretold.
Then, for the first time since Louis' death, Lucien burst into tears. He
dropped his pistol and threw himself into my arms. "My brother, my dear
brother!" he cried.
* * * * *
The Count of Monte Cristo
"The Count of Monte Cristo" appeared in 1844, when Dumas had
been writing plays and stories for twenty years, and at a
period when he was most extraordinarily prolific. In that
year, assisted by his staff of compilers and transcribers, he
is said to have turned out something like forty volumes!
"Monte Cristo" first gave Dumas' novels a world-wide audience.
Its unflagging spirit, the endless surprises, and the air of
reality which was cast over the most extravagant situations
made the work worthy of the popularity it enjoyed in almost
every country in the world. The island from which it takes its
name is a barren rock rising 2,000 feet out of the sea a few
miles south of Elba. Dumas attempted to emulate Scott, and
built a château near St. Germain, which he called Monte
Cristo, costing over $125,000. It was afterwards sold for a
tenth of that sum to pay his debts.
_I.--The Conspiracy of Envy_
On February 28, 1815, the three-masted Pharaon arrived at Marseilles
from Smyrna, commanded by the first mate, young Edmond Dantès, the
captain having died on the voyage. He had left a package for the
Maréchal Bertrand on the Isle of Elba, which Dantès had duly delivered,
conversing with the exiled Emperor Napoleon himself.
The shipowner, M. Morrel, confirmed young Dantès in the command, and,
overjoyed, he hastened to his father, and then to the village of the
Catalans, near Marseilles, where the dark-eyed Mercédès, his betrothed,
impatiently awaited him.
But his good fortune excited envy. Danglars, the supercargo of the
Pharaon, wanted the command for himself, and Fernand, the Catalan cousin
of Mercédès, hated Dantès because he had won her heart. Fernand's
jealousy so took possession of him that he fell in willingly with a
scheme which the envious Danglars proposed. Making use of Dantès'
compromising visit to Elba, they addressed an anonymous denunciation to
the _procureur du roi_, which, in this period of Bonapartist plots, was
indeed a formidable matter. Caderousse, a boon companion, was at first
taken into their confidence, but as he came to think it a dangerous
trick to play the young captain, he refused to take part in it.
Public-domain text, read in full here on John Shaqi.
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