There was no foam around the rock where he sat; no wave beat against its
granite sides. The water rose peacefully. It was nearly level with
Gilliatt's shoulders.
The birds were hovering about him, uttering short cries. Only his head
was now visible. The tide was nearly at the full. Evening was
approaching.
Gilliatt's eyes continued fixed upon the vessel on the horizon. Their
expression resembled nothing earthly. A strange lustre shone in their
calm and tragic depths. There was in them the peace of vanished hopes,
the calm but sorrowful acceptance of an end far different from his
dreams. By degrees the dusk of heaven began to dawn in them, though
gazing still upon the point in space. At the same moment the wide waters
round the rock and the vast gathering twilight closed upon them.
At the moment when the vessel vanished on the horizon, the head of
Gilliatt disappeared. Nothing now was visible but the sea.
* * * * *
The Man Who Laughs
"The Man Who Laughs" ("L'Homme qui Rit") was called by its
author "A Romance of English History," and was written during
the period Hugo spent in exile in Guernsey. Like "The Toilers
of the Sea," its immediate predecessor, the main theme of the
story is human heroism, confronted with the superhuman tyranny
of blind chance. As a passionate cry on behalf of the tortured
and deformed, and the despised and oppressed of the world,
"The Man Who Laughs" is irresistible. Of it Hugo himself says
in the preface: "The true title of this book should be
'Aristocracy'"--inasmuch as it was intended as an arraignment
of the nobility for their vices, crimes, and selfishness. "The
Man Who Laughs" was first published in 1869.
_I.--The Child_
Ursus and Homo were old friends. Ursus was a man, Homo a wolf. The two
went about together from town to town, from country-side to
country-side. Ursus lived in a small van upon wheels which Homo drew by
day and guarded by night.
Ursus was a juggler, a ventriloquist, a doctor, and a misanthrope. He
was also something of a poet. The wolf and he had grown old together.
One bitterly cold night in January 1690, when Ursus and his van were at
Weymouth, a small vessel put off from Portland. It contained a dozen
people, and it left behind on the rock, and alone, a small boy.
The people were called Comprachicos. They bought children, and
understood how to mutilate and deform them, thus making them valuable
for exhibition at fairs. But an act of parliament had just been passed
to destroy the trade of the Comprachicos. Hence this flight from
Portland, and the forsaking of the child.
The vessel was wrecked and all on board perished off the coast of
France, but not before one of the passengers had inscribed on a piece of
parchment the name of the child and the name of a certain English
prisoner who could identify the child. This parchment was sealed in a
bottle and left to the waves.
Public-domain text, read in full here on John Shaqi.
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