Victor felt that what the heir to a great English nobleman might aspire
to, the son of a poor country clergyman could never hope to attain. By a
strange vicissitude of fortune he now found himself in the same position
as that in which Flamin had been when they met on the watch-tower after
their long separation. His mournful meditations were suddenly
interrupted by two figures who had silently crept up the stairs of the
tower. They were Flamin and Clotilda, and each of them put an arm around
Victor and led him to the parsonage. On the way he learnt that Clotilda
had known all along that he was the son of Chaplain Eymann.
* * * * *
Titan
The climax of Jean Paul Richter's inspiration, and of his
obscurity, was reached in "Titan," published during 1801-3. He
meant it to be his greatest romance, and posterity has
confirmed his judgement. Of all his works, it is the most
characteristic of its author. It has all the peculiarities of
his style, peculiarities that are reflected in the prose of
Thomas Carlyle, his most eminent British admirer and
interpreter. The book itself took ten years to write, and
according to his correspondence, Richter intended to call it
"Anti-Titan," having in view his attacks on the material
selfishness of the age which, to gain its own ends, would move
mountains. The motive--a comparison between a man of moral
grandeur and one of grandiose immorality--came to Richter
while he was engaged on "Hesperus," a fact that explains why
certain characters from the earlier romance reappear in
"Titan."
_I.--Liana_
For many years Albano, the young Spanish Count Cesara, had lived within
sight of the capital city of the state of Hohenfliess; yet he had never
entered it--his mother, so his father told him, had shut it against him,
desiring that he should be reared in the Carthusian monastery of rural
life, not sullied in his youth by mingling with courtiers and men of the
world.
And now the gates of Pestitz were open to him. Contemplate the heated
face of my hero, who at last is riding into the streets, built up in his
fancy of temples of the sun, where who knows but that at every long
window, on every balcony, his beloved Liana may be standing?
Gaspard, Count Cesara, Knight of the Fleece, had met his son, for the
first time in Albano's memory, at Lake Maggiore, and Albano had come
away from the meeting with a feeling of chill that poisoned his heart,
eager as it was to love and be loved, and a vague, discomposing sense
that in his birth there was a mystery. But the thought of his father's
coldness, all thoughts that troubled and confused, were forgotten on his
entry into Pestitz, in the eager hope of seeing Liana, his beloved, and
his friend, her brother, Charles Roquairol; for neither his beloved nor
her brother had he ever yet in his life beheld.
Public-domain text, read in full here on John Shaqi.
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