The World's Greatest Books — Volume 10 — Lives and Letters
History
The World's Greatest Books — Volume 10 — Lives and Letters
Biography
From a voyage to the Hebrides with the Commissioners of the Northern
Lighthouses, Scott returned in vigour to his desk at Abbotsford, where
he worked at "The Lord of the Isles" and "Guy Mannering." The poem
appeared in January and the novel in February, 1815. "The Lord of the
Isles" never reached the same popularity as the earlier poems had
enjoyed, but "Guy Mannering" was pronounced by acclamation to be fully
worthy of the honours of "Waverley." In March, Scott went to London with
his wife and daughter, met Byron almost daily in Murray's house, and was
presented to the Prince Regent, who was enchanted with Scott, as Scott
with him. A visit to Paris in July of the same year is commemorated in
"Paul's Letters to His Kinsfolk." Scott's reputation had as yet made
little way among the French, but the Duke of Wellington, then in Paris,
treated him with kindness and confidence, and a few eminent Frenchmen
vied with the enthusiastic Germans in their attentions to him.
"The Antiquary" came out early in 1816, and was its author's favourite
among all his novels. The "Tales of my Landlord," published by Murray
and Blackwood, appeared in December, and though anonymous was at once
recognized as Scott's. The four volumes included the "Black Dwarf" and
"Old Mortality." A month later followed a poem, "Harold the Dauntless."
The title of "Rob Roy" was suggested by Constable; and the novel was
published on the last day of 1817.
During this year the existing house of Abbotsford had been building, and
Scott had added to his estate the lands of Toftfield, at a price of
£10,000. He was then thought to be consolidating a large fortune, for
the annual profits of his novels alone had, for several years, been not
less than the cost of Toftfield.
Having been asked by the Ballantynes to contribute to the historical
department of the "Annual Register," I often had occasion now to visit
Scott in his house in Castle Street, where I usually found him working
in his "den," a small room behind the dining parlour, in company with
his dog, Maida. Besides his own huge elbow-chair, there were but two
others in the room, and one of these was reserved for his amanuensis, a
portrait of Claverhouse, over the chimneypiece, with a Highland target
on either side and broadswords and dirks disposed star-fashion round
them. A venerable cat, fat and sleek, watched the proceedings of his
toaster AND Maids with dignified equanimity.
_Abbotsford_
Public-domain text, read in full here on John Shaqi.
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