The World's Greatest Books — Volume 17 — Poetry and Drama
General
The World's Greatest Books — Volume 17 — Poetry and Drama
Drama; Poetry
Thus on a Sabbath morn, through the streets, deserted and silent,
Wending her quiet way, she entered the door of the almshouse.
Sweet on the summer air was the odour of flowers in the garden;
And she paused on her way to gather the fairest among them,
That the dying once more might rejoice in their fragrance and beauty.
And with light in her looks, she entered the chamber of sickness.
Many a languid head, upraised as Evangeline entered,
Turned on its pillow of pain to gaze while she passed, for her presence
Fell on their hearts like a ray of the sun on the walls of a prison.
And, as she looked around, she saw how Death, the consoler,
Laying his hand on many a heart, had healed it forever.
Suddenly, as if arrested by fear or a feeling of wonder,
Still she stood, with her colourless lips apart, while a shudder
Ran through her frame, and, forgotten, the flowerets dropped from her
fingers,
And from her eyes and cheeks the light and bloom of the morning.
Then there escaped from her lips a cry of such terrible anguish
That the dying heard it, and started up from their pillows.
On the pallet before her was stretched the form of an old man.
Long and thin and grey were the locks that shaded his temples;
But, as he lay in the morning light, his face for a moment
Seemed to assume once more the forms of its earlier manhood.
Motionless, senseless, dying, he lay, and his spirit, exhausted,
Seemed to be sinking down through infinite depths in the darkness--
Darkness of slumber and death, forever sinking and sinking.
Public-domain text, read in full here on John Shaqi.
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