The World's Illusion, Volume 1 (of 2): EvaWassermann, Jakob
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The World's Illusion, Volume 1 (of 2): Eva
Wassermann, Jakob
German fiction -- Translations into English
He bet ten talers and lost. Then fifteen, then twenty, then thirty, and
lost again. He risked a hundred marks, two hundred, five hundred, more
and more, and still lost. Voss’s cheeks turned hectic red, then white
as chalk: his hands trembled, his teeth rattled. He was seized by a
terror that his luck would change, but he was incapable of speech or of
asking for an end of the game. The bank notes were piled up in front of
him. In half an hour he had won over four thousand marks.
Christian had previously marked the cards in a manner that no
inexperienced eye could detect. He knew exactly which colour Voss would
find. But the curious thing was that, though he forgot occasionally to
watch the markings, Voss still won.
Christian got up. “We’re in a hurry,” he said. “You must get ready for
our journey, Amadeus.”
Voss was overwhelmed by the change which had come over his life within
a few minutes. If a spark of suspicion glowed in his soul, he turned
away from it, and plunged into rich dreams.
The motor took them to Wiesbaden, and there, with Christian’s help,
Amadeus bought garments and linen, boots, hats, gloves, cravats, a
razor, a manicure set, and a trunk.
At ten o’clock that evening they sat in the sleeper. “Who am I now?”
asked Amadeus Voss. He looked about him with a curious and violent
glance, and pushed the blond hair from his forehead. “What do I
represent now? Give me an office and a title, Christian Wahnschaffe, in
order that I may know who I am.”
Christian watched the other’s excitement with quiet eyes. “Why should
you think yourself another to-night or changed from yesterday?” he
asked in surprise.
IV
Eva Sorel passed through the countries of Europe--a comet leaving
radiance in its wake.
Her day was thickly peopled. It needed the flexibility of an
experienced practitioner to test and grant the many-sided demands
upon her. Monsieur Chinard, her impresario, served admirably in this
capacity. Only Susan Rappard treated the man morosely. She called him
a Figaro _pris à la retraite_.
In addition, the dancer employed a courier and a secretary.
Several of her adorers had been following her from city to city for
months. They were Prince Wiguniewski, a middle-aged American, named
Bradshaw, the Marquis Vicente Tavera, of the Spanish legation at
Petrograd, Herr Distelberg, a Jewish manufacturer of Vienna, and Botho
von Thüngen, a very young Hanoverian, a student in his second year.
Public-domain text, read in full here on John Shaqi.
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