The World's Illusion, Volume 1 (of 2): EvaWassermann, Jakob
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The World's Illusion, Volume 1 (of 2): Eva
Wassermann, Jakob
German fiction -- Translations into English
Christian, however, did not enlighten him further.
Voss wanted to go home, but Christian begged him to stay, and so they
went in and joined the others at dinner.
XV
When the dinner was over, the company returned to the drawing-room. The
conversation began in French, but in deference to Mr. Bradshaw, who did
not understand that language, changed to German.
The American directed the conversation toward the dying races of the
New World, and the tragedy of their disappearance. Eva encouraged him,
and he told of an experience he had had among the Navaho Indians.
The Navaho tribe had offered the longest resistance to Christianity
and to its civilization. To subdue them the United States Government
forbade the practice of the immemorial Yabe Chi dance, the most
solemn ritual of their cult. The commissioner who was to convey this
order, and on whose staff Mr. Bradshaw had been, yielded to the
passionate entreaty of the tribal chief, and gave permission for a
final celebration of the dance. At midnight, by the light of campfires
and of pine torches, the brilliantly feathered and tattooed dancers
and singers appeared. The singers sang songs which told of the fates
of three heroes, who had been captured by a hostile tribe and freed by
the god Ya. He taught them to ride the lightning; they fled into the
cave of the Grizzly Bear, and thence into the realm of butterflies.
The dances gave a plastic representation of these adventures. While
the craggy mountains re-echoed the songs, and the contorted dances in
the tawny glow rose to an ecstasy of despair, a terrific storm broke.
Cascades of water poured from the sky and filled the dried river-beds
with roaring torrents; the fires were extinguished; the medicine men
prayed with uplifted arms; the dancers and singers, certain now that
they had incurred the anger of their god, whose sacred ceremony they
had consented to betray, hurled themselves in their wild pain into the
turbulent waters, which carried their bodies far down into the plain.
When Mr. Bradshaw had ended, Eva said: “The gods are vengeful; even the
gentlest will defend their seats.”
“That is a heathen view,” said Amadeus, in a sharp and challenging
voice. “There are no gods. There are idols, to be sure, and these must
be broken.” He looked defiantly about him, and added in a dragging
tone: “For the Lord saith, no man can look upon me and live.”
Smiles met his outburst. Tavera had not understood, and turned to
Wiguniewski, who whispered an explanation in French. Then the Spaniard
smiled too, compassionately and maliciously.
Voss arose with a tormented look on his face. The merriment in those
faces was like a bodily chastisement to him. From behind his glittering
eye-glasses he directed a venomous glance toward Eva, and said in
troubled tones: “In the same context of Scripture the Lord bids Israel
hurl aside its adornments that He may see what He will do with them.
The meaning is clear.”
Public-domain text, read in full here on John Shaqi.
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