The World's Illusion, Volume 1 (of 2): EvaWassermann, Jakob
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The World's Illusion, Volume 1 (of 2): Eva
Wassermann, Jakob
German fiction -- Translations into English
The lighting of the rooms was strikingly dim and scattered. A
thunderstorm was approaching, and the windows were all open on
account of the sultry heat; and every flicker of lightning flashed an
unexpected brightness into the rooms.
At the invitation of several guests, Sinaide Gamaleja sat down with a
lute under a cluster of long-stemmed roses, and began to sing a Russian
song. Over her shoulders lay a gold-embroidered shawl, and her hair
was held by a band of diamonds. Her figure was fragile. She had broad
cheekbones, a wide mouth, and dully-glowing, heavy-lidded eyes.
The greyish-yellow wolf on Szilaghin’s knees raised his head, and
blinked sleepily at the singer. The melody had awakened in him a dream
of his native steppes. But the parrot stirred too, and, croaking an
unintelligible word, he preened himself and displayed the gorgeous
plumage of his throat. Szilaghin raised a finger and bade the bird
be silent; obediently it hid its beak in the feathers which a breeze
lifted. A voluble old Russian kept talking to Szilaghin. The latter
overheard him contemptuously, and joined in the singing of the song’s
second stanza.
His voice was melodious--a deep, dark baritone. But to Christian there
seemed something corrupt in its music, as corrupt as the half-shut,
angry, melancholy eyes with their contempt of mankind; as corrupt as
the well-chiselled, waxen face, that could pass for eighteen, yet
harboured all the experiences of an evil old age; as corrupt as the
long, pale, sinuous, nerveless hand or the sweetish, weary, clever
smile.
The Maelbeeks, Wiguniewski, the Captain, and Tavera had settled down to
a game of baccarat in the adjoining room. In the pauses of the singing,
one could hear the click of gold and the tap of the cards on the table.
These strange noises excited the parrot; he forgot the command of his
master, and uttered a discordant cry. Sinaide Gamaleja threw the animal
a furious glance, and for a moment her hand twitched on the strings.
At that moment Szilaghin arose, grasped the bird’s feet with one
hand, its head with the other, and twisted the head of the screaming,
agonizedly fluttering animal around and around as on an axis. Then he
tossed the green, dead thing aside with an expression of disgust, and
calmly intoned the third stanza of the song.
A flame of satisfaction appeared in Sinaide Gamaleja’s eyes. The old
Russian, who had visited his endless babble on the sculptress, fell
suddenly silent. The wolf yawned, and, as though to confirm the fact of
his own obedience, snuggled his chin against his master’s arm.
Public-domain text, read in full here on John Shaqi.
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