The World's Illusion, Volume 1 (of 2): EvaWassermann, Jakob
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The World's Illusion, Volume 1 (of 2): Eva
Wassermann, Jakob
German fiction -- Translations into English
“You’re hurting two now.” Letitia enjoyed fooling him. Her tears were
now tears of pity for herself.
“Woman, is that true?” he asked. Letitia peered furtively between her
fingers, and thought mockingly: “It’s like the last act of a cheap
opera.” She nodded with a gesture of pain, and determined to deceive
him with the naval officer.
Stephen gave a howl of triumph, danced about, threw himself down beside
her, and kissed her arms, her shoulders, and her neck. At the windows
and doors appeared Doña Barbara, Esmeralda, Stephen’s brothers, and
the servants. He lifted Letitia on his strong shoulders, and carried
her about on the verandah. He roared his orders: a feast was to be
prepared, an ox slaughtered, champagne to be put on ice.
Letitia had no qualms of conscience. She was glad to have made a fool
of him.
When old Gunderam learned the cause of the rejoicing in his house, he
chuckled to himself. “Fooled all the same, my sly lawyer man. In spite
of the written agreement, you won’t get the Escurial, not for a good
while, even if she has a whole litter.” With an unappetizing, broken
little comb he smoothed his iron grey beard, and poured eau de Cologne
on his head, until his hair, which was still thick, dripped.
But, strangely enough, the lie that Letitia had told in her terror
turned out to be the truth. In a few days she was sure. Secretly she
was amazed. Every morning she stood before the mirror, and looked
at herself with a strange respect and a subtle horror. But she was
unchanged. Her mood became gently melancholy, and she threw a kiss to
her image in the glass.
Since they were now afraid of crossing her wishes, she was permitted
to attend a ball given by Señor and Señora Küchelbäcker, and it was
there that she made the formal acquaintance of the naval lieutenant,
Friedrich Pestel.
VI
Felix Imhof and the painter Weikhardt met at the exhibition of the
“secessionists” in Munich. For a while they strolled through the rooms,
and looked at the paintings; then they went out on the terrace, and sat
down at a table that commanded a view of the park.
It was in the early afternoon, and the odours of oil and turpentine
from within blended with the fragrance of the sun-warmed plants.
Imhof crossed his long legs, and yawned affectedly. “I’m going to leave
this admirable home of art and letters for some months,” he declared.
“I’m going to accompany the minister of colonial affairs to South West
Africa. I’m anxious to see how things are going there. Those people
need looking after. Then, too, it’s a new experience, and there will be
hunting.”
Weikhardt was utterly self-absorbed. He was full of his own annoyances,
his inner and outer conflicts, and therefore spoke only of himself. “I
am to copy a cycle by Luini for the old Countess Matuschka,” he said.
“She has several blank walls in her castle in Galicia, and she wants
tapestries for them. But the old creature is close as the bark on the
tree, and her bargaining is repulsive.”
Public-domain text, read in full here on John Shaqi.
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