The World's Illusion, Volume 1 (of 2): EvaWassermann, Jakob
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The World's Illusion, Volume 1 (of 2): Eva
Wassermann, Jakob
German fiction -- Translations into English
When she laughed it embarrassed Christian, and when she was silent he
was afraid of her thoughts. He had promised to meet Adda Castillo at
almost this hour. Yet he stayed although he knew that she would be
jealous and make a scene. Eva seemed like an undiscovered country to
him that lured him on. Her tone, her gestures, her expression, her
words, all seemed utterly new. He could not tear himself away, and his
dark blue eyes clung to her with a kind of balked penetration. Even
when her friends came--Cardillac, Wiguniewski, d’Autichamps--he stayed
on.
But Eva had found a name for him. She called him Eidolon. She uttered
that name and played with its sound even as she played with the
mani-coloured jewels in her lap.
III
One night Crammon entered a tavern in the outer boulevards. It was
called “Le pauvre Job.” He looked about him for a while and then sat
down near a table at which several young men of foreign appearance were
conversing softly in a strange tongue.
It was a group of Russian political refugees whose meeting place he
had discovered. Their chief was Ivan Michailovitch Becker. Crammon
pretended to be reading a paper while he observed his man, whom he
recognized from a photograph which Prince Wiguniewski had shown him. He
had never seen so fanatical a face. He compared it with a smouldering
fire that filled the air with heat and fumes.
He had been told that Ivan Becker had suffered seven years of
imprisonment and five of Siberian exile and that many thousands of the
young men of his people were wholly devoted to him and would risk any
danger or sacrifice at his bidding.
“Here they live in the most brilliant spot of the habitable earth,”
Crammon thought angrily, “and plan horrors.”
Crammon was an enemy of violent overthrow. If it did not interfere
with his own comfort, he was rather glad to see the poor get the
better of the over-fed bourgeois. He was a friend of the poor. He took
a condescending and friendly interest in the common people. But he
respected high descent, opposed any breach of venerable law, and held
his monarch in honour. Every innovation in the life of the state filled
him with presentiments of evil, and he deprecated the weakness of the
governments that had permitted the wretched parliaments to usurp their
powers.
He knew that there was something threatening at the periphery of his
world. A stormwind from beyond blew out lamps. What if they should all
be blown out? Was not their light and radiance the condition of a calm
life?
He sat there in his seriousness and dignity, conscious of his
superiority and of his good deeds. As a representative of order he had
determined to appeal to the conscience of these rebels if a suitable
opportunity were to come. Yet what tormented him was less an anxiety
over the throne of the Tsar than one over Eva Sorel. It was necessary
to free the dancer from the snares of this man.
Public-domain text, read in full here on John Shaqi.
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