The World's Illusion, Volume 1 (of 2): EvaWassermann, Jakob
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The World's Illusion, Volume 1 (of 2): Eva
Wassermann, Jakob
German fiction -- Translations into English
An accident favoured his enterprise. One man after another left the
neighbouring table and at last Ivan Becker was left alone. Crammon took
his glass of absinthe and went over. He introduced himself, referring
to his friendship with Prince Wiguniewski.
Silently Becker pointed to a chair.
True to his kind and condescending impulses Crammon assumed the part of
an amiable man who can comprehend every form of human aberration. He
approached his aim with innocent turns of speech. He scarcely touched
the poisonous undergrowth of political contentions. He merely pointed
out with the utmost delicacy that, in the West of Europe, the private
liberty of certain lofty personages would have to remain untouched
unless force were to be used to oppose force. Gentle as his speech was,
it was an admonition. Ivan smiled indulgently.
“Though the whole sky were to flare with the conflagrations that
devastate your Holy Russia,” Crammon said with conscious eloquence,
and the corners of his mouth seemed to bend in right angles toward his
square chin, “we will know how to defend what is sacred to us. Caliban
is an impressive beast. But if he were to lay his hands on Ariel he
might regret it.”
Again Ivan Michailovitch smiled. His expression was strangely mild and
gentle, and gave his homely, large face an almost feminine aspect. He
listened as though desiring to be instructed.
Crammon was encouraged. “What has Ariel to do with your misery? He
looks behind him to see if men kiss the print of his feet. He demands
joy and glory, not blood and force.”
“Ariel’s feet are dancing over open graves,” Ivan Michailovitch said
softly.
“Your dead are safe at peace,” Crammon answered. “With the living we
shall know how to deal.”
“We are coming,” said Ivan Michailovitch still more softly. “We are
coming.” It sounded mysterious.
Half fearfully, half contemptuously Crammon looked at the man. After a
long pause he said as though casually, “At twelve paces I can hit the
ace of hearts four times out of five.”
Ivan Michailovitch nodded. “I can’t,” he said almost humbly, and showed
his right hand, which he usually concealed skilfully. It was mutilated.
“What happened to your hand?” Crammon asked in pained surprise.
“When I lay in the subterranean prison at Kazan a keeper forged the
chain about me too hard,” Ivan Michailovitch murmured.
Crammon was silent, but the other went on: “Perhaps you’ve noticed too
that it’s difficult for me to speak. I lived alone too long in the
desert of snow, in a wooden hut, in the icy cold. I became unused to
words. I suffered. But that is only a single word: suffering. How can
one make its content clear? My body was but a naked scaffolding, a
ruin. But my heart grew and expanded. How can I tell it? It grew to be
so great, so blood red, so heavy that it became a burden to me in the
fearful attempt at flight which I finally risked. But God protected
me.” And he repeated softly, “God protected me.”
Public-domain text, read in full here on John Shaqi.
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