The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
Many buildings surrounded the temple, and the whole was enclosed by a
wall. Various buildings were needed in order that all the functions of
the temple could be performed. On one side was a court where the animals
and birds intended for sacrifice were prepared. To the rear was a
kitchen. The priests often received private revenues for providing food
for the departed. This food as a rule was prepared in the kitchens of
the temple. Dwellings for the priests, and the servants, store houses,
granaries, the treasure house, gardens and an artificial lake lay within
the temple wall. In the sacred lake the priests bathed, and in it they
washed the vessels pertaining to the sanctuary.
The priestly duties were manifold. Certain priests poured out drink
offerings; others recited from holy books; others kept the annals of the
temples. Their incomes were paid in kind--like all other obligations of
the time. So many loaves of bread, so many jugs of wine, beer and cakes
made up their annual revenue.
While we may gain some feeble idea of these places of worship, built to
do honor to the god--and to the king,--any description of them must
necessarily be inadequate. "We may agree that neither the boldest
imagination nor the most exact study, can enable us to form an adequate
conception of the splendors of an Egyptian temple in its perfect state.
The vast space it occupied; its lofty gateways; the long avenues of
sphinxes; the glittering obelisks and the lifelike expressions of the
monstrous statues, form a combination of the most imposing architectural
grandeur. The æsthetic qualities of these structures cannot briefly be
summed up. As we ponder them we shall be willing to acknowledge, for we
shall discover, the exceptional constructive power of the ancient
architects; we shall see how closely they followed Nature, and at times
drew as well upon foreign art, though always preserving their own
principles of form. There is always one grand imaginative vein running
through all their work--which expresses the principal idea of their
faith--_imperishability_.
"The ancient Egyptians copied no one. Their art sprang from their
surroundings. What they have left continues to baffle us in many ways.
We may understand perspective better than they did; we are their
superiors in the use of light and shadow. We dare to build higher, and
we are willing to trust thousands of lives to walls which would be
wrecked if a single Egyptian column should fall against them; but we do
not yet understand how they lifted their great masses to such lofty
places, nor do we know where their architects studied art."[3]
Public-domain text, read in full here on John Shaqi.
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