The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
What took place within the temples was concealed from view, for each was
surrounded by a high inclosing wall with lofty, carefully closed
portals, which were only opened when a chorus of priests came out to
sing a pious hymn, in the morning to Horus the rising god, and in the
evening to Turn the descending god. As soon as the evening hymn of the
priests was heard, the Necropolis was deserted, for the mourners and
those who were visiting the graves were required by this time to return
to their boats, and to quit the City of the Dead. Crowds of men who had
marched in the processions of the west bank hastened in disorder to the
shore, driven on by the body of watchmen who took it in turns to do this
duty and to protect the graves against robbers. The merchants closed
their booths, then embalmers and workmen ended their day's work and
retired to their houses, the priests returned to the temples, and the
inns were filled with guests, who had come hither on long pilgrimages
from a distance, and who preferred passing the night in the vicinity of
the dead whom they had come to visit, to going across to the bustling
noisy city on the further shore.
The voices of the singers and of the wailing women were hushed, even the
song of the sailors on the numberless ferryboats from the western shore
of Thebes died away, its faint echo was now and then borne across on the
evening air, and at last all was still.
_Uarda._
KARNAK.
"I am Karnak, and a thousand million men have lived and died
Since open have my gates been thrown for kings through them to ride:
My massive walls have echoed to the tread of Egypt's hosts,
But now they are a skulking place for goblins and for ghosts."
"I stand once more among those mighty columns, which radiate into
avenues from whatever point one takes them. I see them swathed in coiled
shadows and broad bands of light. I see them sculptured and painted with
shapes of gods and kings, with blazonings of royal names, with
sacrificial altars and forms of sacred beasts, and emblems of wisdom and
truth. The shafts of these columns are enormous. I stand at the foot of
one--or of what seems to be the foot; for the original pavement lies
buried seven feet below.... It casts a shadow twelve feet in
breadth--such a shadow as might be cast by a tower. The capital that
juts out so high above my head looks as if it might have been placed
there to support the heavens. It is carved in the semblance of a
full-blown lotus, and glows with undying colors--colors that are still
fresh, though laid on by hands that have been dust these three thousand
years and more. It would take not six men, but a dozen, to measure round
the curved lip of that stupendous lily.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account