The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
We have seen how difficult a task Egyptologists had in discovering the
meaning of the hieroglyphics, and how the Rosetta stone, giving one
decree in three different languages, at last led to an understanding of
the whole. The Babylonians and Assyrians used a series of wedge-shaped
letters or symbols, which has given the name _cuneiform_ to their
written language. These wedge-shaped signs were impressed on the clay by
a stylus, and several of them are united to form a _syllabic_ character.
There are about 400 of these complex syllabic signs in the syllabary,
instead of 26 letters as in English. Where the writing on the tablets is
very close, as it frequently is, it is often very difficult to read the
signs correctly. In the earlier Babylonian period, moreover, the form
differs from that of the later Babylonian and Assyrian period. To make
the reading still more puzzling they are polyphonic, _i. e._, have
several syllabic values, and are also used ideagraphically, _i. e._, may
be used for entire words. If we should read _b_ either b, p, m, d, etc.,
and also for break, run, beside with only the context to guide us we
would have a parallel case. There was no Rosetta stone to help this
time, and the tablets long remained sealed books. We have only to look
at a page of the characters to wonder that their meaning at last dawned
upon the tireless workers.
Prominent among linguists engaged upon Assyrian inscriptions were Sir
Henry Rawlinson, Fox Talbot, Jules Oppert, and a talented Irish scholar
by the name of Hincks. At last translations of certain inscriptions were
offered by these men, but critics looked at the apparently meaningless
signs and questioned the versions rendered. At least, they insisted,
there was no way to prove that a meaning had not been worked into them,
rather than out of them.
Finally it was suggested that a single inscription, hitherto unread, be
sent to the four scholars just mentioned, and that they be asked to
return their renderings sealed, to a committee appointed to examine
them. To the amazement of the world, the translations made were almost
identical, differences occurring in those portions which the translators
themselves had marked as uncertain. This was, indeed, a triumph for
students of the Assyrian language, and compelled a general agreement
that the cuneiform tongue had at last been mastered. Rapid advances were
made after this test, which was made in 1857. The translation of
numerous tablets was at once eagerly begun.
George Smith, a young man engaged to copy inscriptions required by
Rawlinson for some material he was about to publish, was not content to
copy meaningless signs, but set to work to understand them. So rapidly
did he advance in mastering the language that he became most helpful in
classifying the tablets stored in the British Museum. In connection with
his work there one incident deserves notice.
Public-domain text, read in full here on John Shaqi.
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