The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
For our knowledge of ancient Babylonian and Assyrian life, we are
dependent largely upon scenes depicted on palace walls, especially the
walls of royal dwellings. These scenes commemorate the doings of the
king particularly, and where laborers, slaves and the common people are
shown at all, they are seen at work, building palaces and temples,
marching to battle, swelling the triumphal processions, or they are
cultivating the fields, storing away the grain--all to the glory of the
realm and consequently to the king. Naturally then, we know little about
the pastimes of the masses. They no doubt thronged the streets on
festivals, for then they were free from work. Even labor on royal
palaces--always pushed with all possible speed--was then suspended.
Every day in the year had its own significance, but five days each month
were of particular importance, being sacred to the gods, and were duly
observed. Worship and merry-making were in a measure mingled. Other days
for popular observance were those in which the king and the army
returned from successful wars. A triumphal procession passed slowly
through the streets on its way to the temple, where thanksgiving was
rendered the gods who had made victory possible. Such occasions were
always holidays, and the people in gay attire, gathered to witness the
home-coming of their sovereign, and to gaze in wonder at the booty and
the captives.
Two recreations pictured on the palace walls were enjoyed only by the
nobles and the wealthy classes--the hunt and the banquet. In modern
times, when those in high position have occasionally laid down important
matters for a brief while to seek recreation in hunting, fishing and out
of door life, they have taken opportunity to throw off much of the
conventionality surrounding their every-day life and have found some
diversion in "roughing it,"--in sharing the varying fortune likely to
befall those who leave the certain comforts of home for the uncertain
conditions to be met away from the centers of civilization. Such was not
at all the case with the kings of Assyria when they left their capitals
to hunt the lion in its distant jungles and marshes. In the palace of
Sennacherib and Asshurbanipal, hunts have been depicted throughout their
progress. We may see the king marching out of the city in his state
chariot, his charioteer at his side, while behind him an attendant holds
high an embroidered parasol over his kingly head to protect him from the
rays of the sun. Nobles accompany him on horses and they, together with
the guards and retinue of servants, make up a small army. Goats and
cattle are driven along, that his majesty and his nobles may have fresh
milk and meat throughout their absence; a sumptuous tent shelters the
king when the procession stops for the night, while each noble tries to
pitch his tent near the more splendid one of his king. Maspero has
graphically described the hunt. Some wild oxen have been discovered, and
the king gives chase:
Public-domain text, read in full here on John Shaqi.
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