The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American LiteratureDelphian Society
History
The World's Progress, Vol. 01 (of 10): With Illustrative texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature
Delphian Society
Civilization -- History; World history
Let the hyaena come and reduce mankind.
Instead of bringing on a flood,
Let famine be sent and the land (reduced).
Instead of bringing on a flood,
Let the Pest-god come and destroy the land.
As for me, I have not revealed the secret of the gods.
I caused Atrahasis to see a vision and thus he learned the secret of
the gods."
Thereupon his counsel was taken
And Bel ascended within the ship. Seized me by the hands and brought
me up (to a point still higher).
He brought up and made to bow beside me my wife,
Turned us face to face, stood between us and blessed us:
"In former times Pir-napishtim was human
But henceforth Pir-napishtim and his wife shall be like us gods
And Pir-napishtim shall dwell afar off at the mouth of the rivers."
Then they took me and afar off at the mouth of the rivers they caused
me to dwell.
FOOTNOTES:
[1] The house for its inhabitants. Compare Isaiah 1, 2: Hear, O heavens,
and give ear, O earth.
[2] The meaning here and in the next four lines is not clear.
[3] This is evidence that the deluge, as in the Old Testament, was a
punishment for sin, which some writers (not Assyriologists) have denied
in the interest of an outgrown view of the Bible.
THE DESCENT OF ISHTAR TO HADES.
Ishtar was the Babylonian Venus or goddess of love. The story of her
descent to Hades and return to the world of the living is found on a
tablet now in the British Museum, and is perhaps the most poetical
legend of the recovered Assyrian literature. It has been suggested
that the story is the text of a religious drama, resembling the
miracle-plays of mediaeval Europe. The legend shows no reason for
Ishtar's desire to enter Hades, but it is easy to suppose that she
went thither to rescue some beloved person. This supplies a connection
with the familiar story of Venus and Adonis (or Tammuz), which the
Greek writers declare to be of Syrian origin. The drama, if such it
were, was probably part of the annual celebration of the return of
Spring. Ninkigal, the Queen of Hades, corresponds to the Greek
Persephone, and Latin Proserpina, the wife of Pluto. In like manner,
Ea, the king of the gods, corresponds to Zeus or Jupiter, and the
divine messenger to Hermes or Mercury.
A BABYLONIAN EPIC--ISHTAR'S DESCENT TO HADES.
(Translation by Professor Craig.)
On the land without regress, the land (that thou knowest),
Ishtar, Sin's daughter, did fix her attention,
The daughter of Sin did fix her attention,
On the dwelling of darkness, the abode of Irkalla,
On the dwelling whose inhabitant comes no more out,
On the road whose advancing knows no returning,
On the house whose inhabitants removed from the light,
Where they're nourished with dust and clay is their food,
Where they see not the light, but in darkness are dwelling,
And are clad like the birds with a covering of wings;
On door and on bars lies the dust thickly gathered.
Public-domain text, read in full here on John Shaqi.
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