Imaginary wars and battles -- Fiction; Nuclear warfare -- Fiction; War stories
together into one purpose the energies of the race.
Section 9
It is doubtful if we shall ever see again a phase of human existence in
which ‘politics,’ that is to say a partisan interference with the
ruling sanities of the world, will be the dominant interest among
serious men. We seem to have entered upon an entirely new phase in
history in which contention as distinguished from rivalry, has almost
abruptly ceased to be the usual occupation, and has become at most a
subdued and hidden and discredited thing. Contentious professions cease
to be an honourable employment for men. The peace between nations is
also a peace between individuals. We live in a world that comes of age.
Man the warrior, man the lawyer, and all the bickering aspects of life,
pass into obscurity; the grave dreamers, man the curious learner, and
man the creative artist, come forward to replace these barbaric aspects
of existence by a less ignoble adventure.
There is no natural life of man. He is, and always has been, a sheath
of varied and even incompatible possibilities, a palimpsest of
inherited dispositions. It was the habit of many writers in the early
twentieth century to speak of competition and the narrow, private life
of trade and saving and suspicious isolation as though such things were
in some exceptional way proper to the human constitution, and as though
openness of mind and a preference for achievement over possession were
abnormal and rather unsubstantial qualities. How wrong that was the
history of the decades immediately following the establishment of the
world republic witnesses. Once the world was released from the
hardening insecurities of a needless struggle for life that was
collectively planless and individually absorbing, it became apparent
that there was in the vast mass of people a long, smothered passion to
make things. The world broke out into making, and at first mainly into
æsthetic making. This phase of history, which has been not inaptly
termed the ‘Efflorescence,’ is still, to a large extent, with us. The
majority of our population consists of artists, and the bulk of
activity in the world lies no longer with necessities but with their
elaboration, decoration, and refinement. There has been an evident
change in the quality of this making during recent years. It becomes
more purposeful than it was, losing something of its first elegance and
prettiness and gaining in intensity; but that is a change rather of hue
than of nature. That comes with a deepening philosophy and a sounder
education. For the first joyous exercises of fancy we perceive now the
deliberation of a more constructive imagination. There is a natural
order in these things, and art comes before science as the satisfaction
of more elemental needs must come before art, and as play and pleasure
come in a human life before the development of a settled purpose....
Public-domain text, read in full here on John Shaqi.
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