Imaginary wars and battles -- Fiction; Nuclear warfare -- Fiction; War stories
He was silent for a time, watching the mists among the distant
precipices change to clouds of light, and drift and dissolve before the
searching rays of the sunrise.
‘Yes,’ he said at last, ‘I am afraid of these anæsthetics and these fag
ends of life. It’s life we are all afraid of. Death!—nobody minds just
death. Fowler is clever—but some day surgery will know its duty better
and not be so anxious just to save something . . . provided only that
it quivers. I’ve tried to hold my end up properly and do my work. After
Fowler has done with me I am certain I shall be unfit for work—and what
else is there for me? . . . I know I shall not be fit for work....
‘I do not see why life should be judged by its last trailing thread of
vitality.... I know it for the splendid thing it is—I who have been a
diseased creature from the beginning. I know it well enough not to
confuse it with its husks. Remember that, Gardener, if presently my
heart fails me and I despair, and if I go through a little phase of
pain and ingratitude and dark forgetfulness before the end.... Don’t
believe what I may say at the last.... If the fabric is good enough the
selvage doesn’t matter. It can’t matter. So long as you are alive you
are just the moment, perhaps, but when you are dead then you are all
your life from the first moment to the last....’
Section 4
Presently, in accordance with his wish, people came to talk to him, and
he could forget himself again. Rachel Borken sat for a long time with
him and talked chiefly of women in the world, and with her was a girl
named Edith Haydon who was already very well known as a cytologist. And
several of the younger men who were working in the place and a patient
named Kahn, a poet, and Edwards, a designer of plays and shows, spent
some time with him. The talk wandered from point to point and came back
upon itself, and became now earnest and now trivial as the chance
suggestions determined. But soon afterwards Gardener wrote down notes
of things he remembered, and it is possible to put together again the
outlook of Karenin upon the world and how he thought and felt about
many of the principal things in life.
‘Our age,’ he said, ‘has been so far an age of scene-shifting. We have
been preparing a stage, clearing away the setting of a drama that was
played out and growing tiresome.... If I could but sit out the first
few scenes of the new spectacle....
Public-domain text, read in full here on John Shaqi.
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