“Every man to his trade, captain,” said I. “You're a sailor, and you've
given me plenty of points; but I am an artist, and allow me to
inform you this is quite as strange as all the rest. The knife is a
palette-knife; the pencil a Winsor and Newton, and a B B B at that.
A palette-knife and a B B B on a tramp brig! It's against the laws of
nature.”
“It would sicken a dog, wouldn't it?” said Nares.
“Yes,” I continued, “it's been used by an artist, too: see how it's
sharpened--not for writing--no man could write with that. An artist, and
straight from Sydney? How can he come in?”
“O, that's natural enough,” sneered Nares. “They cabled him to come up
and illustrate this dime novel.”
We fell a while silent.
“Captain,” I said at last, “there is something deuced underhand about
this brig. You tell me you've been to sea a good part of your life. You
must have seen shady things done on ships, and heard of more. Well, what
is this? is it insurance? is it piracy? what is it ABOUT? what can it be
for?”
“Mr. Dodd,” returned Nares, “you're right about me having been to sea
the bigger part of my life. And you're right again when you think I know
a good many ways in which a dishonest captain mayn't be on the square,
nor do exactly the right thing by his owners, and altogether be just a
little too smart by ninety-nine and three-quarters. There's a good many
ways, but not so many as you'd think; and not one that has any mortal
thing to do with Trent. Trent and his whole racket has got to do with
nothing--that's the bed-rock fact; there's no sense to it, and no use
in it, and no story to it: it's a beastly dream. And don't you run away
with that notion that landsmen take about ships. A society actress don't
go around more publicly than what a ship does, nor is more interviewed,
nor more humbugged, nor more run after by all sorts of little
fussinesses in brass buttons. And more than an actress, a ship has a
deal to lose; she's capital, and the actress only character--if she's
that. The ports of the world are thick with people ready to kick a
captain into the penitentiary if he's not as bright as a dollar and as
honest as the morning star; and what with Lloyd keeping watch and watch
in every corner of the three oceans, and the insurance leeches, and the
consuls, and the customs bugs, and the medicos, you can only get
the idea by thinking of a landsman watched by a hundred and fifty
detectives, or a stranger in a village Down East.”
“Well, but at sea?” I said.
Public-domain text, read in full here on John Shaqi.
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