The writings of Clement of Alexandria, Vol. 1 (of 2)Clement, of Alexandria, Saint
Religion
The writings of Clement of Alexandria, Vol. 1 (of 2)
Clement, of Alexandria, Saint
Theology -- Early works to 1800; Theology -- History -- Early Church, ca. 30-600
In the present instance He is a guest with us. For the apostle adds
again, “Teaching and admonishing one another in all wisdom, in psalms,
and hymns, and spiritual songs, singing with grace in your heart to
God.” And again, “Whatsoever ye do in word or deed, do all in the name
of the Lord Jesus, giving thanks to God and His Father.” This is our
thankful revelry. And even if you wish to sing and play to the harp
or lyre, there is no blame. Thou shalt imitate the righteous Hebrew
king in his thanksgiving to God. “Rejoice in the Lord, ye righteous;
praise is comely to the upright,”[505] says the prophecy. “Confess to
the Lord on the harp; play to Him on a psaltery of ten strings. Sing to
Him a new song.” And does not the ten-stringed psaltery indicate the
Word Jesus, who is manifested by the element of the decad? And as it is
befitting, before partaking of food, that we should bless the Creator
of all; so also in drinking it is suitable to praise Him on partaking
of His creatures. For the psalm is a melodious and sober blessing. The
apostle calls the psalm “a spiritual song.”[506]
Finally, before partaking of sleep, it is a sacred duty to give thanks
to God, having enjoyed His grace and love, and so go straight to sleep.
“And confess to Him in songs of the lips,” he says, “because in His
command all His good pleasure is done, and there is no deficiency in
His salvation.”[507]
Further, among the ancient Greeks, in their banquets over the brimming
cups, a song was sung called a skolion, after the manner of the Hebrew
psalms, all together raising the pæan with the voice, and sometimes
also taking turns in the song while they drank healths round; while
those that were more musical than the rest sang to the lyre. But let
amatory songs be banished far away, and let our songs be hymns to
God. “Let them praise,” it is said, “His name in the dance, and let
them play to Him on the timbrel and psaltery.”[508] And what is the
choir which plays? The Spirit will show thee: “Let His praise be in
the congregation (church) of the saints; let them be joyful in their
King.”[509] And again he adds, “The Lord will take pleasure in His
people.”[510] For temperate harmonies are to be admitted; but we are to
banish as far as possible from our robust mind those liquid harmonies,
which, through pernicious arts in the modulations of tones, train to
effeminacy and scurrility. But grave and modest strains say farewell to
the turbulence of drunkenness. Chromatic harmonies are therefore to be
abandoned to immodest revels, and to florid and meretricious music.
CHAPTER V.
ON LAUGHTER.
People who are imitators of ludicrous sensations, or rather of such as
deserve derision, are to be driven from our polity [or society].
Public-domain text, read in full here on John Shaqi.
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