The writings of Clement of Alexandria, Vol. 1 (of 2)Clement, of Alexandria, Saint
Religion
The writings of Clement of Alexandria, Vol. 1 (of 2)
Clement, of Alexandria, Saint
Theology -- Early works to 1800; Theology -- History -- Early Church, ca. 30-600
For as well-nurtured bodies, when stripped, show their vigour more
manifestly, so also beauty of character shows its magnanimity, when not
involved in ostentatious fooleries. But to drag one’s clothes, letting
them down to the soles of his feet, is a piece of consummate foppery,
impeding activity in walking, the garment sweeping the surface dirt of
the ground like a broom; since even those emasculated creatures the
dancers, who transfer their dumb shameless profligacy to the stage, do
not despise the dress which flows away to such indignity; whose curious
vestments, and appendages of fringes, and elaborate motions of figures,
show the trailing of sordid effeminacy.
If one should adduce the garment of the Lord reaching down to the
foot, that many-flowered coat shows the flowers of wisdom, the varied
and unfading Scriptures, the oracles of the Lord, resplendent with
the rays of truth. In such another robe the Spirit arrayed the Lord
through David, when he sang thus: “Thou wert clothed with confession
and comeliness, putting on light as a garment.”[606]
As, then, in the fashioning of our clothes, we must keep clear of all
strangeness, so in the use of them we must beware of extravagance. For
neither is it seemly for the clothes to be above the knee, as they say
was the case with the Lacedæmonian virgins; nor is it becoming for any
part of a woman to be exposed. Though you may with great propriety use
the language addressed to him who said, “Your arm is beautiful; yes,
but it is not for the public gaze. Your thighs are beautiful; but,
was the reply, for my husband alone. And your face is comely. Yes;
but only for him who has married me.” But I do not wish chaste women
to afford cause for such praises to those who, by praises, hunt after
grounds of censure; and not only because it is prohibited to expose the
ankle, but because it has also been enjoined that the head should be
veiled and the face covered; for it is a wicked thing for beauty to be
a snare to men. Nor is it seemly for a woman to wish to make herself
conspicuous, by using a purple veil. Would it were possible to abolish
purple in dress, so as not to turn the eyes of spectators on the face
of those that wear it! But the women, in the manufacture of all the
rest of their dress, have made everything of purple, thus inflaming the
lusts. And, in truth, those women who are crazy about these stupid and
luxurious purples, “purple (dark) death has seized,”[607] according to
the poetic saying. On account of this purple, then, Tyre and Sidon, and
the vicinity of the Lacedæmonian Sea, are very much desired; and their
dyers and purple-fishers, and the purple fishes themselves, because
their blood produces purple, are held in high esteem. But crafty women
and effeminate men, who blend these deceptive dyes with dainty fabrics,
carry their insane desires beyond all bounds, and export their fine
linens no longer from Egypt, but some other kinds from the land of
the Hebrews and the Cilicians.
Public-domain text, read in full here on John Shaqi.
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