But the love of ornament, which is far from caring for virtue, but claims the body for itself, when the love of the beautiful has changed to empty show, is to be utterly expelled. For applying things unsuitable to the body, as if they were suitable, begets a practice of lying and a habit of falsehood; and shows not what is decorous, simple, and truly childlike, but what is pompous, luxurious, and effeminate. But these women obscure true beauty, shading it with gold. And they know not how great is their transgression, in fastening around themselves ten thousand rich chains; as they say that among the barbarians malefactors are bound with gold. The women seem to me to emulate these rich prisoners. For is not the golden necklace a collar, and do not the necklets which they call catheters occupy the place of chains? and indeed among the Attics they are called by this very name. The ungraceful things round the feet of women, Philemon in the _Synephebus_ called ankle-fetters: “Conspicuous garments, and a kind of a golden fetter.” What else, then, is this coveted adorning of yourselves, O ladies, but the exhibiting of yourselves fettered? For if the material does away with the reproach, the endurance [of your fetters] is a thing indifferent. To me, then, those who voluntarily put themselves into bonds seem to glory in rich calamities. Perchance also it is such chains that the poetic fable says were thrown around Aphrodite when committing adultery, referring to ornaments as nothing but the badge of adultery. For Homer called those, too, golden chains. But now women are not ashamed to wear the most manifest badges of the evil one. For as the serpent deceived Eve, so also has ornament of gold maddened other women to vicious practices, using as a bait the form of the serpent, and by fashioning lampreys and serpents for decoration. Accordingly the comic poet Nicostratus says, “Chains, collars, rings, bracelets, serpents, anklets, ear-rings.”[615] In terms of strongest censure, therefore, Aristophanes in the _Thesmophoriazousæ_ exhibits the whole array of female ornament in a catalogue: “Snoods, fillets, natron, and steel; Pumice-stone, band, back-band, Back-veil, paint, necklaces, Paints for the eyes, soft garment, hair-net, Girdle, shawl, fine purple border, Long robe, tunic, Barathrum, round tunic.” But I have not yet mentioned the principal of them. Then what? “Ear-pendants, jewellery, ear-rings; Mallow-coloured cluster-shaped anklets; Buckles, clasps, necklets, Fetters, seals, chains, rings, powders, Bosses, bands, olisbi, Sardian stones, Fans, helicters.”