The Writings of James Russell Lowell in Prose and Poetry, Volume V: Political EssaysLowell, James Russell
History
The Writings of James Russell Lowell in Prose and Poetry, Volume V: Political Essays
Lowell, James Russell
United States -- Politics and government -- 1861-1865; United States -- Politics and government -- 1865-1869
The influence of the Southern States in the national politics was due
mainly to the fact of their having a single interest on which they were
all united, and, though fond of contrasting their more chivalric
character with the commercial spirit of the North, it will be found
that profit has been the motive to all the encroachments of slavery.
These encroachments first assumed the offensive with the annexation of
Texas. In the admission of Missouri, though the Free States might
justly claim a right to fix the political destiny of half the
territory, bought with the common money of the nation, and though
events have since proved that the compromise of 1820 was a fatal
mistake, yet, as slavery was already established there, the South
might, with some show of reason, claim to be on the defensive. In one
sense, it is true, every enlargement of the boundaries of slavery has
been an aggression. For it cannot with any fairness be assumed that the
framers of the Constitution intended to foreordain a perpetual balance
of power between the Free and the Slave States. If they had, it is
morally certain that they would not so have arranged the basis of
representation as to secure to the South an unfair preponderance, to be
increased with every addition of territory. It is much more probable
that they expected the Southern States to fall more and more into a
minority of population and wealth, and were willing to strengthen this
minority by yielding it somewhat more than its just share of power in
Congress. Indeed, it was mainly on the ground of the undue advantage
which the South would gain, politically, that the admission of Missouri
was distasteful to the North.
Public-domain text, read in full here on John Shaqi.
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