The Writings of John Burroughs — Volume 05: PepactonBurroughs, John
History
The Writings of John Burroughs — Volume 05: Pepacton
Burroughs, John
Natural history -- Outdoor books
His voice is the jocund and
inspiring voice of a spring morning. It is like a ceaseless and
hilarious clapping of hands. I was much interested in an account a
friend gave me of the first skylark he heard while abroad. He had
been so full of the sights and wonders of the Old World that he had
quite forgotten the larks, when one day, as he was walking
somewhere near the sea, a brown bird started up in front of him,
and mounting upward began to sing. It drew his attention, and as
the bird went skyward, pouring out his rapid and jubilant notes,
like bees from a hive in swarming-time, the truth suddenly flashed
upon the observer.
"Good heavens!" he exclaimed, "that is a skylark; there is no
mistaking that bird."
It is this unique and unmistakable character of the lark's song,
and its fountain-like sparkle and copiousness, that are the main
sources of its charm.
NOCTURNAL INSECTS
How the nocturnal insects, the tree-crickets and katydids, fail as
the heat fails! They are musicians that play fast or slow, strong
or feeble, just as the heat of the season waxes or wanes; and they
play as long as life lasts: when their music ceases, they are dead.
The katydids begin in August, and cry with great vigor and spirit,
"Katy-did," "Katydid," or "Katy-did n't." Toward the last of
September they have taken in sail a good deal, and cry simply,
"Katy," "Katy," with frequent pauses and resting-spells. In
October they languidly gasp or rasp, "Kate," "Kate," "Kate," and
before the end of the month they become entirely inaudible, though
I suspect that if one's ear were sharp enough he might still hear a
dying whisper, "Kate," "Kate." Those cousins of Katy, the little
green purring tree-crickets, fail in the same way and at the same
time. When their chorus is fullest, the warm autumn night fairly
throbs with the soft lulling undertone. I notice that the sound is
in waves or has a kind of rhythmic beat. What a gentle, unobtrusive
background it forms for the sharp, reedy notes of the katydids! As
the season advances, their life ebbs and ebbs: you hear one here
and one there, but the air is no longer filled with that regular
pulse-beat of sound. One by one the musicians cease, till, perhaps
on some mild night late in October, you hear--just hear and that is
all--the last feeble note of the last of these little harpers.
LOVE AND WAR AMONG THE BIRDS
Public-domain text, read in full here on John Shaqi.
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