The Yarn of Old Harbour TownRussell, William Clark
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The Yarn of Old Harbour Town
Russell, William Clark
English fiction -- 20th century; Historical fiction; Sea stories
Here she paused and looked round at the tray as though she would have
Mr Lawrence catch a sight of her face, whose composite expression of
indignation, distress, and eager yearning for help and sympathy was
heightened and scored by the mad look her eyes wore, and the unmeaning
smile which deformed her mouth. She again addressed the apparition.
"Can I trust your Royal Highness with a secret?... How good you are,
sir! Your Royal Highness shall see my treasure, but you are too great
as a Prince, and too virtuous as a man, to betray me."
With that, and looking round about her with insane cunning glittering
in her eyes as diamonds tremble in the dancer's ear, as though she
feared she might be watched by another in that berth, albeit her manner
persuaded Mr Lawrence that she did not know he was looking on, she went
to the locker, lifted the lid and disclosed her treasure-hidings of
rings, soap, and the rest of it, looking up meanwhile as though into
the face of a person who was bending a little to catch a sight of that
nest of feathers, but looking up with such marvellous vitality in the
composition of her lineaments, and in the penetrating glare of those
eyes of hers which in hours of repose and content seemed to brood upon
what they viewed, that Mr Lawrence could almost swear that he beheld
the spectral shadow of the Royal apparition into whose face she gazed,
stooping and peering into the nest at the end of the locker.
She spoke again to the phantom, but this time in such a mere muttering
of words that the listener caught nothing of her meaning, and then sank
her figure in a profoundly respectful curtsy whilst she seemed to kiss
a hand extended to her.
She stood a few moments with her hands clasped before her at arm's
length, and her head bowed as though deep in thought, then went to
the tray again, knelt beside it and continued her meal, taking the
biscuit and the tongue in her hands without seeming to be in the least
conscious of the presence of Mr Lawrence.
"Madam," said he softly, "after so lively a conversation with your
Royal but unrevealed visitor, have you no word for me--no look----"
"I have no piano in this cabin, sir," she answered, without raising her
eyes. "And I have no heart to sing without music."
"I do not ask you to sing," he said. "Give me but a word, give me but a
look. You tear my heart by this behaviour."
She looked up at him suddenly with her eyes trembling cunningly again
as when she asked the phantom to view her treasure, and with a look
impossible to portray but which convinced him that she did not know
him, and in a voice that was almost tender with its note of seeking
after sympathy and help, she exclaimed: "Are you come here to liberate
me, to restore me to my father, who weeps because he thinks I am lost,
to rescue me from the wicked arts of a treacherous man--oh, tell me so,
tell me so!" she cried, springing to her feet, and extending her arms.
Public-domain text, read in full here on John Shaqi.
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