No dead and gone human visage looms so clearly through the mist of ages as that strange lymphatic face of Philip IV., which the genius of Velazquez delighted to portray from youth to age. The smooth-faced stripling in hunting dress, with his fair pink and white complexion, his lank yellow hair, and his great mumbling Austrian mouth, shows more plainly on canvas than he could have done whilst alive how weak of will and how potent of passion he was, how easily he would be led by the overbearing Count-Duke of Olivares to sacrifice all else for splendid shows and sensuous indulgence; how his vanity would be flattered by poets, painters, and players, whilst the world-wide empire of his fathers was crumbling to nothingness {324} beneath his sway, and his vassals were being robbed of their last maravedi to pay for the frenzy of waste and prodigality with which Charles Stuart was entertained or a royal wedding celebrated. Thenceforward, through his fastuous prime, stately and splendid in his black satin and gold, to the time when, old and disappointed, with forty years of disastrous domination, the rheumy eyes drawn and haggard, but the head still erect, haughty and unapproachable in its reserve, the great painter tells the King's story better than any pen could write it. There is something not unlovable in the shy, weak, poetic face, and one can pity the lad with such a countenance who found himself the greatest king on earth at the age of sixteen, surrounded by fawning flatterers and greedy bloodsuckers who plunged him into a vortex of dissipation before his father's body was cold in the marble sarcophagus at the Escurial. The old man's face, too, cold and repellent as it is, shocking as are the ravages that time and self-indulgence have stamped upon it, has yet in it an almost plaintive despair that explains those terrible broken-hearted letters in which the King, icy and undemonstrative as he was, poured out his agony and sorrow undisguised for years to the only person in the wide world he trusted, the nun Maria de Agreda.