The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
"Look yonder again at those cobwebbed vessels of various shapes that lie
side by side, although of different vineyards, in the peaceful bins.
They all date from a year in which the wheel of fortune brought honest
men to the top in England; and if only for a brief space, as, I am told,
they sing in North Britain, 'the de'il went hame wi' a' the Whigs before
him' (I must tell you, Mr. ----, that Falernianus, though a loyal
subject to our good Queen, is a most malignant Tory, and indeed I have
heard him impeached of Jacobitism by ill-willers). But no more of
politics." He paused a moment and then went on: "I think I see you smile
again, Eugenius, and say to yourself, 'These are but dry-lipped subjects
for so flowing a calendar.' And to tell the truth, my friend, the main
part of my ephemerides of this kind has been filled by the aid of the
goddess who was ever nearest and kindest to Bacchus. In yonder bin lie
phials of the mightiest port that Lusitanian summers ever blackened, and
flasks of sack from the more southern parts of that peninsula, which our
Ben or his son Herrick would have loved. In the same year which saw the
pressing of these generous juices the earth was made more fair by the
birth of Bellamira and Candiope. The blackest purple of the Lusitanian
grape is not so black as the tresses of Candiope's hair, nor doth the
golden glow of the sherris approach in flame the locks of Bellamira; but
if I let the sunlight play through both, Love, with fantastic triumph,
shows me, as the bright motes flicker and flee through the sack, the
tawny eyes of Candiope, and the stain, no longer black or purple, but
rosy red, that floats from the Oportian juice on the white napery,
recalls the velvet blush of Bellamira's cheek."
Public-domain text, read in full here on John Shaqi.
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