The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
I regret it, but what am I to do? It was not my fault--I can only regret
it. It was thus it happened to me.
I had come to town straight from a hillside cottage in a lonely
ploughland, with the smell of the turf in my nostrils, and the swish of
the scythes in my ears; the scythes that flashed in the meadows where
the upland hay, drought-parched, stretched thirstily up to the clouds
that mustered upon the mountain-tops, and marched mockingly away, and
held no rain.
The desire to mix with the crowd, to lay my ear once more to the heart
of the world and listen to its life-throbs, had grown too strong for me;
and so I had come back--but the sights and sounds of my late life clung
to me--it is singular how the most opposite things often fill one with
associative memory.
That _gamin_ of the bird-tribe, the Cockney sparrow, recalled the
swallows that built in the tumble-down shed; and I could almost see the
gleam of their white bellies, as they circled in ever narrowing sweeps
and clove the air with forked wings, uttering a shrill note, with a
querulous grace-note in front of it.
The freshness of the country still lurked in me, unconsciously
influencing my attitude towards the city.
One forenoon business drove me citywards, and following an inclination
that always impels me to water-ways rather than roadways, I elected to
go by river steamer.
I left home in a glad mood, disposed to view the whole world with kindly
eyes. I was filled with a happy-go-lucky _insouciance_ that made walking
the pavements a loafing in Elysian fields. The coarser touches of
street-life, the oddities of accent, the idiosyncrasies of that most
eccentric of city-dwellers, the Londoner, did not jar as at other
times--rather added a zest to enjoyment; impressions crowded in too
quickly to admit of analysis, I was simply an interested spectator of a
varied panorama.
I was conscious, too, of a peculiar dual action of brain and senses,
for, though keenly alive to every unimportant detail of the life about
me, I was yet able to follow a process by which delicate inner threads
were being spun into a fanciful web that had nothing to do with my outer
self.
At Chelsea I boarded a river steamer bound for London Bridge. The river
was wrapped in a delicate grey haze with a golden subtone, like a
beautiful bright thought struggling for utterance through a mist of
obscure words. It glowed through the turbid waters under the arches, so
that I feared to see a face or a hand wave through its dull amber--for I
always think of drowned creatures washing wearily in its murky
depths--it lit up the great warehouses, and warmed the brickwork of the
monster chimneys in the background. No detail escaped my outer eyes--not
the hideous green of the velveteen in the sleeves of the woman on my
left, nor the supercilious giggle of the young ladies on my right, who
made audible remarks about my personal appearance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account