The yellow book, an illustrated quarterly. Vol. 2, July 1894
General
The yellow book, an illustrated quarterly. Vol. 2, July 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Saintsbury, written in imitation of the essayists of the eighteenth
century, associates the wines in a cellar with the loves and
friendships of their owner. To others the vinous treasures would be
"good wine and nothing more"; to their present owner they are "a
casket of magic liquors," a museum in which he lives over again "the
vanished life of the past." The true French bookless _bourgeois_ often
calls his cellar his _bibliothèque_, meaning that he values its lore
as preferable to that of scholarship; but Mr. Saintsbury's Falernianus
associates his wines with sentiment rather than with knowledge.
On the whole, the literature in the first number of THE YELLOW BOOK is
adequately representative of the modern English literary mind, both in
the observation of reality and in style. It is, as I say, really
literature and not letterpress. I rather regret, for my own part, the
general brevity of the pieces which restricts them to the limits of
the sketch, especially as the stories cannot be continued after the
too long interval of three months. As to this, the publishers know
their own business best, and are probably aware that the attention of
the general public, though easily attracted, is even more easily
fatigued.
II--The Illustrations
On being asked to undertake the second part of this critical article,
I accepted because one has so rarely an opportunity of saying anything
about works of art to which the reader can quite easily refer. To
review an exhibition of pictures in London or Paris is satisfactory
only when the writer imagines himself to be addressing readers who
have visited it, and are likely to visit it again. When an
illustration appears in one of the art periodicals, it may be
accompanied by a note that adds something to its interest, but no one
expects such a note to be really critical. In the present instance, on
the contrary, we are asked to say what we think, without reserve, and
as we have had nothing to do with the choice of the contributors, and
have not any interest in the sale of the periodical, there is no
reason why we should not.
Public-domain text, read in full here on John Shaqi.
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