The yellow book, an illustrated quarterly. Vol. 2, July 1894
General
The yellow book, an illustrated quarterly. Vol. 2, July 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
I tried to imagine what it would be like when I got there. The
Coliseum I knew, of course, from a woodcut in the history-book: so to
begin with I plumped that down in the middle. The rest had to be
patched up from the little grey market-town where twice a year we went
to have our hair cut; hence, in the result, Vespasian's amphitheatre
was approached by muddy little streets, wherein the Red Lion and the
Blue Boar, with Somebody's Entire along their front, and "Commercial
Room" on their windows; the doctor's house, of substantial red-brick;
and the façade of the new Wesleyan chapel, which we thought very fine,
were the chief architectural ornaments: while the Roman populace
pottered about in smocks and corduroys, twisting the tails of Roman
calves and inviting each other to beer in musical Wessex. From Rome I
drifted on to other cities, dimly heard of--Damascus, Brighton, (Aunt
Eliza's ideal), Athens, and Glasgow, whose glories the gardener sang;
but there was a certain sameness in my conception of all of them: that
Wesleyan chapel would keep cropping up everywhere. It was easier to go
a-building among those dream-cities where no limitations were imposed,
and one was sole architect, with a free hand. Down a delectable street
of cloud-built palaces I was mentally pacing, when I happened upon the
Artist.
He was seated at work by the roadside, at a point whence the cool
large spaces of the downs, juniper-studded, swept grandly westwards.
His attributes proclaimed him of the artist tribe: besides, he wore
knickerbockers like myself. I knew I was not to bother him with
questions, nor look over his shoulder and breathe in his ear--they
didn't like it, this _genus irritabile_; but there was nothing about
staring in my code of instructions, the point having somehow been
overlooked: so, squatting down on the grass, I devoted myself to a
passionate absorbing of every detail. At the end of five minutes there
was not a button on him that I could not have passed an examination
in; and the wearer himself of that home-spun suit was probably less
familiar with its pattern and texture than I was. Once he looked up,
nodded, half held out his tobacco pouch, mechanically as it were,
then, returning it to his pocket, resumed his work, and I my mental
photography.
After another five minutes or so had passed he remarked, without
looking my way: "Fine afternoon we're having: going far to-day?"
"No, I'm not going any farther than this," I replied: "I _was_
thinking of going on to Rome: but I've put it off."
"Pleasant place, Rome," he murmured: "you'll like it." It was some
minutes later that he added: "But I wouldn't go just now, if I were
you: too jolly hot."
"_You_ haven't been to Rome, have you?" I inquired.
"Rather," he replied briefly: "I live there."
Public-domain text, read in full here on John Shaqi.
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