The yellow book, an illustrated quarterly. Vol. 2, July 1894
General
The yellow book, an illustrated quarterly. Vol. 2, July 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
We clung to the idea of the brilliant course, delivered without a
tumble, that, as a lecturer, would still make the paying public aware
of our great mind; but the fact remained that in the case of an
inspiration so unequal there was treachery, there was fallacy at
least, in the very conception of a series. In our scrutiny of ways and
means we were inevitably subject to the old convention of the
synopsis, the syllabus, partly of course not to lose the advantage of
his grand free hand in drawing up such things; but for myself I
laughed at our categories even while I stickled for them. It was
indeed amusing work to be scrupulous for Frank Saltram, who also at
moments laughed about it, so far as the rise and fall of a luxurious
sigh might pass for such a sound. He admitted with a candour all his
own that he was in truth only to be depended on in the Mulvilles'
drawing-room. "Yes," he suggestively conceded, "it's there, I think,
that I am at my best; quite late, when it gets toward eleven--and if
I've not been too much worried." We all knew what too much worry
meant; it meant too enslaved for the hour to the superstition of
sobriety. On the Saturdays I used to bring my portmanteau, so as not
to have to think of eleven o'clock trains. I had a bold theory that as
regards this temple of talk and its altars of cushioned chintz, its
pictures and its flowers, its large fireside and clear lamplight, we
might really arrive at something if the Mulvilles would only charge
for admission. But here it was that the Mulvilles shamelessly broke
down; as there is a flaw in every perfection, this was the
inexpugnable refuge of their egotism. They declined to make their
saloon a market, so that Saltram's golden words continued to be the
only coin that rang there. It can have happened to no man, however, to
be paid a greater price than such an enchanted hush as surrounded him
on his greatest nights. The most profane, on these occasions, felt a
presence; all minor eloquence grew dumb. Adelaide Mulville, for the
pride of her hospitality, anxiously watched the door or stealthily
poked the fire. I used to call it the music-room, for we had
anticipated Bayreuth. The very gates of the kingdom of light seemed to
open and the horizon of thought to flash with the beauty of a sunrise
at sea.
Public-domain text, read in full here on John Shaqi.
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