Up and down, decked in frigid allurement, paced the insatiate daughters of an everlasting king. What fair messengers, with streaming eyes and impotently craving arms, did they send afar off ere they thus "increased their perfumes and debased themselves even unto hell"? This was my question. I asked not who forsook them, speaking in farewell the "hideous English of their fate." I watched coldly, yet not inapprehensive or a certain grandeur in the scene. It was Virtue's very splendid Dance of Death. A sickening confusion of odours assailed my senses; each essence a vile enticement, outraging Nature by a perversion of her own pure spell. A timidly protesting fragrance stole strangely by. I started at its approach. It summoned a stinging memory. I stepped forward to escape it, but stopped, confronted by the being who had shared, by the flickering lamplight and in the presence of that silent witness, the poor little violet's prayer. The man beside her was decorated with a bunch of sister flowers to those which had taken part against him, months ago, in vain. He could have borne no better badge of victory. He was looking at some extravagant trifle in the window next the entry I had just crossed. They spoke, comparing it with a silver case he turned over in his hand. In the centre I noticed a tiny enamelled shield. The detail seemed familiar, but beyond identity. They entered the shop. I stood motionless, challenging memory, till it produced from some dim corner of my brain a hoarded "No." The device now headed a poor strip of paper on a dead girl's bed. I saw a figure set by death, facing starvation, and with ruin in torn fragments in her hand. But what place in the scene had I? A brief discussion next me made swift answer. They were once more beside me. The man was speaking: his companion raised her face; I recognised its outline,--its true aspect I shall not know. Four months since it wore the mask of sorrow; it was now but one of the pages of man's immortal book. I was conscious of the matchless motions which in the dim church had first attracted me. She was clothed, save for a large scarf of vehemently brilliant crimson, entirely in dull vermilion. The two shades might serve as symbols of divine and earthly passion. Yet does one ask the martyr's colour, you name it 'Red' (and briefly thus her garment): no distinctive hue. The murderer and the prelate too may wear such robes of office. Both are empowered to bless and ban.