The yellow book, an illustrated quarterly. Vol. 3, October, 1894
General
The yellow book, an illustrated quarterly. Vol. 3, October, 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
speak the truth and my brothers don’t, and I find it a great defect,
from which I would have my daughter free. _We have been brought up
badly, the Queen having taught us to equivocate._” You may laugh at
the picture of the little chubby, curly-heeded fellows learning to
equivocate at their mother’s knee, but you must remember that the
wisest master of ethics himself, in his theory of ἕξεις ἀποδείκτικαι,
similarly raised virtues, such as telling the truth, to the level of
regular accomplishments, and before you judge poor George harshly, in
his entanglements of lying, remember the cruelly unwise education he
had undergone.
However much we may deplore this exaggerated tyranny, by reason of its
evil effect upon his moral nature, we cannot but feel glad that it
existed, to afford a piquant contrast to the life awaiting him. Had he
passed through the callow dissipations of Eton and Oxford, like other
young men of his age, he would assuredly have lacked much of that
splendid pent vigour with which he rushed headlong into London life. He
was so young and so handsome, and so strong, that can we wonder if all
the women fell at his feet? “The graces of his person,” says one whom
he honoured by an intrigue, “the irresistible sweetness of his smile,
the tenderness of his melodious, yet manly voice, will be remembered by
me till every vision of this changing scene are forgotten. The polished
and fascinating ingenuousness of his manners contributed not a little
to enliven our promenade. He sang with exquisite taste, and the tones
of his voice, breaking on the silence of the night, have often appeared
to my entranced senses like more than mortal melody.” But besides his
graces of person, he had a most delightful wit, he was a scholar who
could bandy quotations with Fox or Sheridan; and, like the young men
of to-day, he knew all about Art. He spoke French, Italian, and German
perfectly, and Crossdill had taught him the violoncello. At first, as
was right for one of his age, he cared more for the pleasures of the
table and of the ring, for cards and love. He was wont to go down to
Ranelagh surrounded by a retinue of bruisers--rapscallions, such as
used to follow Clodius through the streets of Rome, and he loved to
join in the scuffles like any commoner. He learnt to box from Angelo,
and was considered by some to be a fine performer. On one occasion,
too, at an _exposition d’escrime_, he handled the foils against the
_maître_, and “was highly complimented upon his graceful postures.”
In fact, in spite of his accomplishments, he seems to have been a
thoroughly manly young fellow. He was just the kind of figure-head
Society had long been in need of. A certain lack of tone had crept
into the amusements of the _haut monde_, and this was doubtless due
to the lack of an acknowledged leader. The King was not yet mad, but
he was always bucolic, and socially out of the question. So at the
coming of his son Society broke into a gallop. Balls and masquerades
Public-domain text, read in full here on John Shaqi.
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