The yellow book, an illustrated quarterly. Vol. 3, October, 1894
General
The yellow book, an illustrated quarterly. Vol. 3, October, 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Mrs. Vandeleur shivered, then rose abruptly and closed the window
against which she leaned, gazing down at the formless mass of the
shrubs which cowered over their shadows on the lawn. Her mind, vaguely
troubled for some days past, and now keenly on the alert, travelled
swiftly back, bridging a space of nearly twenty years, to a scene
strangely like this, in which she and her mother had held the stage.
She too, a girl then of Dorothy’s eighteen years, had brought the
halting story of her doubts and scruples to her natural counsellor:
she could remember still how the instinct of reticence had struggled
with the yearning for sympathy, for the comfort of the confessional.
She could recall now and appreciate her mother’s tact and patient
questioning, her own perversity, the dumbness which seemed independent
of her own volition. A commonplace page of life. Two men at her
feet, and the girl unskilled to read her heart: one had spoken--that
was Dick Vandeleur, careless, brilliant, the heir to half a county;
the other--her old friend; she could not bear to think of him now.
Knowledge had come too late, and the light which made her wonder
scornfully at her blindness. And her mother--she of course had played
the worldly part; but her counsel had been honest, without bias: it
were cruel to blame her now. Loyal though she was, Margaret Vandeleur
had asked herself an hundred times, yielding to that love of threading
a labyrinth which rules most women, what would have been the story
of her life if she had steeled herself to stand or fall by her own
judgment, if she had refused to allow her mother to drop into the
wavering scale the words which had turned it, ever so slightly, in
favour of the richer man, the man whom she had married, whose name she
bore.
It seemed plain enough, to a woman’s keen vision--what sense so subtle,
yet so easily beguiled--that Dorothy’s choice was embarrassed, just
as her own had been. The girl and her two admirers--how the old story
repeated itself!--one, Jack Wilgress, the good-natured, good-looking
idler, whose devotion to the river threatened to make him amphibious,
and whose passion for scribbling verse bade fair to launch him adrift
among the cockle-shell fleet of Minor Poets; the other--Geoffrey
Vincent! To call upon Margaret Vandeleur to guide her daughter’s choice
between two men of whom Geoffrey Vincent was one--surely here was the
end and crown of Fate’s relentless irony. She felt herself blushing as
she pressed her forehead against the cool window-pane, put to shame
by the thoughts which the comparison suggested, which would not be
stifled. Right or wrong, at least her mother had been impartial: there
was a sting in this, a failure of her precedent. She sighed, concluding
mutely that silence was her only course; even if she would, she could
not follow in her mother’s footsteps--the girl must abide by her own
judgment.
Public-domain text, read in full here on John Shaqi.
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