Detective and mystery stories; Hoodlums -- Fiction; London (England) -- Social life and customs -- Fiction; Murder -- Fiction
He examined more closely a lower part of the wall, which did not fall
within the shadow of the purple lamp-shade; for he was thinking of the
draught which had followed the opening of the trap. By this examination
he learnt two things: The explanation of the draught, and that of a
peculiar property possessed by the mural decorations. These (as Soames
had observed before him) assumed a new form if one stared at them
closely; other figures, figures human and animal, seemed to take
shape and to peer out from BEHIND the more obvious designs which were
perceptible at a glance. The longer and the closer one studied these
singular walls, the more evident the UNDER design became, until it
usurped the field of vision entirely. It was a bewildering delusion; but
M. Max had solved the mystery.
There were TWO designs; the first, an intricate Chinese pattern,
was painted or printed upon material like the finest gauze. This
was attached over a second and vividly colored pattern upon thick
parchment-like paper--as he learnt by the application of the point of
his pocket-knife.
The observation trap was covered with this paper, and fitted so nicely
in the opening that his fingers had failed to detect, through the
superimposed gauze, the slightest irregularity there. But, the trap
opened, a perfectly clear view of the room could be obtained through the
gauze, which, by reason of its texture, also admitted a current of air.
This matter settled, M. Max proceeded carefully to examine the entire
room foot by foot. Opening the door in one corner, he entered the
bathroom, in which, as in the outer apartment, an electric light
was burning. No window was discoverable, and not even an opening for
ventilation purposes. The latter fact he might have deduced from the
stagnation of the atmosphere.
Half an hour or more he spent in this fashion, without having discovered
anything beyond the secret of the observation trap. Again he took out
his pocket-knife, which was a large one with a handsome mother-o'-pearl
handle. Although Mr. Ho-Pin had examined this carefully, he had solved
only half of its secrets. M. Max extracted a little pair of tweezers
from the slot in which they were lodged--as Ho-Pin had not neglected
to do; but Ho-Pin, having looked at the tweezers, had returned them to
their place: M. Max did not do so. He opened the entire knife as though
it had been a box, and revealed within it a tiny set of appliances
designed principally for the desecration of locks!
Selecting one of these, he took up his watch from the table upon which
it lay, and approached the door. It possessed a lever handle of the
Continental pattern, and M. Max silently prayed that this might not be
a snare and a delusion, but that the lock below might be of the same
manufacture.
In order to settle the point, he held the face of his watch close to
the keyhole, wound its knob in the wrong direction, and lo! it became an
electric lamp!
Public-domain text, read in full here on John Shaqi.
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