Detective and mystery stories; Hoodlums -- Fiction; London (England) -- Social life and customs -- Fiction; Murder -- Fiction
Soames entered nervously. He found himself in a room identical in size
with his own private apartment; a bathroom, etc., opened out of it in
one corner after the same fashion. But there similarity ended.
The bed in this apartment was constructed more on the lines of a modern
steamer bunk; that is, it was surrounded by a rail, and was raised no
more than a foot from the floor. The latter was covered with a rich
carpet, worked in many colors, and the wall was hung with such paper
as Soames had never seen hitherto in his life. The scheme of this mural
decoration was distinctly Chinese, and consisted in an intricate design
of human and animal figures, bewilderingly mingled; its coloring was
brilliant, and the scheme extended, unbroken, over the entire ceiling.
Cushions, most fancifully embroidered, were strewn about the floor, and
the bed coverlet was a piece of heavy Chinese tapestry. A lamp, shaded
with silk of a dull purple, swung in the center of the apartment, and
an ebony table, inlaid with ivory, stood on one side of the bed; on the
other was a cushioned armchair figured with the eternal, chaotic Chinese
design, and being littered, at the moment, with the garments of the man
in the bed. The air of the room was disgusting, unbreathable; it caught
Soames by the throat and sickened him. It was laden with some kind of
fumes, entirely unfamiliar to his nostrils. A dainty Chinese tea-service
stood upon the ebony table.
For fully thirty seconds Soames, with his back to the door, gazed at the
man in the bed, and fought down the nausea which the air of the place
had induced in him.
This sleeper was a man of middle age, thin to emaciation and having
lank, dark hair. His face was ghastly white, and he lay with his head
thrown back and with his arms hanging out upon either side of the bunk,
so that his listless hands rested upon the carpet. It was a tragic face;
a high, intellectual brow and finely chiseled features; but it presented
an indescribable aspect of decay; it was as the face of some classic
statue which has long lain buried in humid ruins.
Soames shook himself into activity, and ventured to approach the bed. He
moistened his dry lips and spoke:
“Good morning, sir”--the words sounded wildly, fantastically out of
place. “Shall I prepare your bath?”
The sleeper showed no signs of awakening.
Soames forced himself to touch one of the thrown-back shoulders. He
shook it gently.
The man on the bed raised his arms and dropped them back again into
their original position, without opening his eyes.
“They... are hiding,” he murmured thickly... “in the... orange grove....
If the felucca sails... closer... they will”...
Soames, finding something very horrifying in the broken words, shook the
sleeper more urgently.
“Wake up, sir!” he cried; “I am going to prepare your bath.”
“Don't let them... escape,” murmured the man, slowly opening his
eyes--“I have not”...
Public-domain text, read in full here on John Shaqi.
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