The Yellow House; Master of MenOppenheim, E. Phillips (Edward Phillips)
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The Yellow House; Master of Men
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories; England -- Fiction
I stepped forward to look at it, but, as if divining my purpose,
Adelaide Fortress touched the spring and the aperture was hidden.
“That photograph,” she repeated, coldly, “is the likeness of an old
and dear friend of mine who is dead. I do not feel called upon to tell
you his name. It was not Maltabar.”
“I do not believe you,” she said, steadily. “I believe that you are
all in a conspiracy against me. I am sorry I ever told you my story. I
am sorry I ever sat down under your roof. I believe that Philip
Maltabar lives and that he is not far away. We shall see!”
She moved to the door. Mr. Deville stood there ready to open it. She
looked up at him--as a woman can look sometimes.
“You at least are not against me,” she murmured. “Say that you are
not! Say that you will be my friend once more!”
He bent down and said something to her very quietly, which we did
not hear, and when she left the room he followed her. We heard the
hall door slam. Through the window we could see them walking down the
gravel path side by side. She was talking eagerly, flashing quick
little glances up at him, and her fingers lay upon his coat sleeve. He
was listening gravely with downcast head.
Adelaide Fortress looked from them to me with a peculiar smile. What
she said seemed a little irrelevant.
“How she will bore him!”
“Oh! I don’t know,” I answered, with an irritation whose virulence
surprised me. “Men like that sort of thing.”
“Not Mr. Deville,” she said. “He will hate it.”
I was not sure about it. I watched them disappear. He was stooping
down so as to catch every word she said. Obviously he was doing his
best to adapt himself and to be properly sympathetic. I was angry with
myself and ignorant of the cause of my anger.
“Never mind about them,” I said, abruptly. “There is something
else--more important--Mrs. Fortress.”
“Yes.”
“I want to see that photograph--the photograph of the man whom she
called Philip Maltabar.”
She shook her head. Was it my fancy, or was she indeed a shade paler?
“Don’t ask me that,” she said, slowly. “I would rather not show it to
any one.”
“But I have asked you, and I ask again!” I exclaimed. “There are
already too many things around me which I do not understand. I am not
a child, and I am weary of all this mystery. I insist upon seeing that
photograph.”
She laid her hands upon my shoulders, and looked up into my face.
“Child,” she said, slowly, “it were better for you not to see that
photograph. Can’t you believe me when I tell you so. It will be better
for you and better for all of us. Don’t ask me to show it to you.”
“I would take you at your word,” I answered, “only I have already some
idea. I caught a fugitive glimpse of it just now, before you touched
the spring. To know even the worst is better than to be continually
dreading it.”
Public-domain text, read in full here on John Shaqi.
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