The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 3 (of 4), Part 1 (of 2)Valmiki
Religion
The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 3 (of 4), Part 1 (of 2)
Valmiki
Hinduism -- Doctrines -- Early works to 1800; Religious life -- Hinduism -- Early works to 1800
10. The mind which is the seed of the body, is subject to and slave of
all its desires. Its treasure house consists of alternate plenty and
poverty, and its casket contains the gems of pleasure and pain.
11. It is the mind which spreads this net-work of reality and unreality;
as it stretches the fretwork of truth and falsehood in dreams and
visions.
12. As the dying man sees in his imagination, the messengers of death
appearing before him; so doth the mind, present the figure of the
unreal body as a reality.
13. All these forms and figures, which appear to our view in these
worlds, are the formations of the mind, as the pots and toys are the
works of clay. (The mind being the same with Brahmá; is the formal
cause of all existences).
14. There are two kinds of seeds again which give rise to the arbor
of the mind, which is entwined by the creepers of its faculties; one
kind of these is the breathing of the vital breath, and the other
is thinking or the train of its thoughts. (The text has the words
_dridha-bhávana_ or the certainty of the knowledge of its reality).
15. When the vital air vibrates through the lungs and arteries, the
mind then has the consciousness of its existence.
16. When the vital breath ceases to circulate through the lungs
and wind pipes, there ensues the insensibility of the mind and the
circulation of the heart-blood is put to a stop.
17. It is by means of the vibrations of breath and the action of the
heart, that the mind perceives the existence of the world which is as
false as the appearance of the blue sky, in the empty space of vacuum.
18. But when these vibrations and actions fail to rouse the sleeping
mind, it is then said to enjoy its peace and quiet; otherwise they
merely move the body and mind, as the wires move the dolls in the
puppet show.
19. When the body has its sensibility, caused by the breathing of the
vital air, it begins to move about like a doll dancing in its giddy
circle in the Court yard, by artifice of the puppet player.
20. The vibrations of breath awaken also our self-consciousness, which
is minuter than the minutest atom; and yet all pervasive in its nature,
as the fragrance of flowers, which is blown afar in the air by the
breath of the wind.
21. It is of great good, O Ráma! to confine one’s consciousness in
one’s self (as it is to shut the fragrance of the flower in its seed
vessel; and it is effected by stopping the breathing by means of the
practice of _pránáyáma_ or suppression of breath; as the diffusion of
odours is prevented by shutting out the current air).
22. By restraining our self-consciousness we in ourselves succeed
to refrain from our consciousness of all other things because the
knowledge of endless objects (particulars), is attended with infinite
trouble to the mind. (All knowledge is the vexation of the spirit.
Solomon’s Proverbs).
Public-domain text, read in full here on John Shaqi.
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