The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 3 (of 4), Part 2 (of 2)Valmiki
Religion
The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 3 (of 4), Part 2 (of 2)
Valmiki
Hinduism -- Doctrines -- Early works to 1800; Religious life -- Hinduism -- Early works to 1800
15. His essences are volition, vacuity, duration and destiny; and also
the qualities of infinity and fulness.
16. Beside these he has the properties of intelligence and action, as
also of causality and quietude; and there are many other powers in the
spirit of Siva, of which there is no reckoning nor end.
17. Vasishtha rejoined--Whence came these powers to him, and how had
they their variety and plurality; tell me, my lord! whence they arose,
and how they were separated (from omnipotence which comprehends them
all).
18. The god replied:--The god Siva who is intellect only of himself,
has endless forms also (according to his endless attributes), and
the powers that I have said to belong to him, are little and no way
different essentiality. (The properties that are predicated of god,
belong to his intrinsical nature and not derived from without).
19. It is the discrimination of the powers of intelligence, action,
passion, vision and others; that the powers of God are said to be
many and different from one another, like the waves of the sea (which
appears in the different shapes of billows, surges &c.).
20. Thus do those different powers act their several parts for ever, in
the grand stage of the universe; as the ages, years, months and weeks
and days, play their parts under direction of time--the manager of the
stage.
21. That power which appears as the one or another, is called the
divine powers of destiny; and is distinguished by the several
appellations of action, energy or will of God, or the dispensation of
his Time. (Time is said to be the producer, sustainer and leveller of
all things. [Sanskrit: kálí prabhavati dháryyte, pralíyate sarvvam
tasmát kálí hi valavattarah]).
22. That power which determines the states of gods, and those of the
great Rudras as so and so, and what regulates the conduct of all things
from a mean straw to the great Brahmá, is called the predominant doom
or destiny.
23. This destiny continues to dance about the great arena of the
universe, until the mind is cleared of her bugbear and freed from
anxiety by the knowledge of truth (that it is the Divine will which
destines the destiny).
24. The play of destiny is very pleasing to behold, owing to the
variety of its characters and contrivances, and the quick changes of
the scenes, and the repeated entrances and exits of its players and
actors. It is conducted all along with the music of the drums and
trumpets of the roaring clouds of the Kalpánta-doomsday. (_i.e._ On the
last day of universal dissolution, when the dance of destiny and her
play are over).
25. The vault of heaven is the canopy over this stage, the season
flowers are its decorations, and the showers of rain serve for the
sprinkling of rose waters in it.
26. The dark clouds hung about the heavens are, the blue hanging
screens around this stage, and the sexcentenary as of the earth with
the shining gems in their bosom, serve for the ornamented pits and
galleries of this playhouse.
Public-domain text, read in full here on John Shaqi.
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