Jews -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction
hurt so! You, my sweet rose-lady, whom I had torn, and crushed, and made
to bleed! Christine, pale, sad Christine! To spend one moment weeping
at your feet, trying a little to soothe and comfort and console you, to
atone a little for the sorrow I had caused you, to pour out my love and
my remorse before you! Oh, good God! But of course, of course, I knew
that I might as well hope to speak with one who was dead. I, a married
man, had no right, even in my own secret thoughts, to wish for such a
meeting between you and me. And you, despising me, you would fly from
me, you would never permit me to draw near to you. And yet, it is so
hard to reconcile one's self to the truth, even when one can have no
doubt about it, I would go on hoping, in spite of the hopelessness, in
spite of the fact that I had no right to hope--hoping that somehow the
impossible might come to pass. But at the same time, I would think: 'How
else? Is there any other way?' Necessarily, it occurred to me to write.
But the idea of writing was repugnant. I never could tell the half of
what I had to tell by writing; and then, what assurance had I that you
would read my letter? (What assurance have I, even now?) So, for the
time being, I put the plan of writing out of my head; and went back, and
asked again: 'How else?' Was there no possible method by which I
could let you know what weighed so heavily, so heavily, upon my mind?
Sometimes the most absurd notions would seize hold of me, with all the
force of realities. For a little while, this would become not merely
a theory, as of a thing conceivable, but a conviction, as of a thing
actual; that, thinking of you as constantly and as intently as I did,
by some occult means in nature, my spirit was enabled to transcend the
limitations of space and matter, and to reach yours, and to communicate
with it. For hours at a stretch, I would sit here at my studio window,
harboring this delicious fancy: that now, at this very moment, by the
operation of some subtle psychic force, you were receiving the
message which my heart was sending you. I had read of such things in
wonder-tales, even in serious pseudoscientific treatises. Why might
there not be something in them? But, as I have said, only for a little
while could a fancy like this hold its place. In a little while my
common-sense would assert itself, and bring the dismal truth looming
up again stark before me. All of a sudden, one day, I thought of my
painting. It made my pulse leap. It seemed like an inspiration. I
would paint a picture which--if you saw it; and if I sent it to the
exhibition, you would very likely see it--which would tell you the whole
story. In a fever of impatience to get the picture begun, and without
having stopped to determine what the picture was to be, I procured
canvas, paints, brushes. Then I paused, and asked: 'But what shall I
paint?' It did not require much thinking, to make the futility of the
whole design clear to me.
Public-domain text, read in full here on John Shaqi.
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