Conduct of life -- Fiction; Criminals -- Fiction; Inheritance and succession -- Fiction
"It is difficult to believe that Wade and Read and Kit and Wash were
not live boys, sailing up Hudson Straits, and reigning temporarily
over an Esquimaux tribe." _--The Independent_, New York.
LYNX HUNTING: From Notes by the Author of "Camping Out."
"Of _first quality_ as a boys' book, and fit to take its place beside
the best." _--Richmond Enquirer._
Fox HUNTING. As Recorded by "Raed."
"The most spirited and entertaining book that has as yet appeared. It
overflows with incident, and is characterized by dash and brilliancy
throughout." _--Boston Gazette._
ON THE AMAZON; OR, THE CRUISE OF THE "RAMBLER." As Recorded by "Wash."
"Gives vivid pictures of Brazilian adventure and scenery."
_--Buffalo Courier._
HARRY CASTLEMON.
HOW I CAME TO WRITE MY FIRST BOOK.
When I was sixteen years old I belonged to a composition class. It was
our custom to go on the recitation seat every day with clean slates,
and we were allowed ten minutes to write seventy words on any subject
the teacher thought suited to our capacity. One day he gave out "What
a Man Would See if He Went to Greenland." My heart was in the matter,
and before the ten minutes were up I had one side of my slate filled.
The teacher listened to the reading of our compositions, and when they
were all over he simply said: "Some of you will make your living by
writing one of these days." That gave me something to ponder upon. I
did not say so out loud, but I knew that my composition was as good as
the best of them. By the way, there was another thing that came in my
way just then. I was reading at that time one of Mayne Reid's works
which I had drawn from the library, and I pondered upon it as much as
I did upon what the teacher said to me. In introducing Swartboy to his
readers he made use of this expression: "No visible change was
observable in Swartboy's countenance." Now, it occurred to me that if
a man of his education could make such a blunder as that and still
write a book, I ought to be able to do it, too. I went home that very
day and began a story, "The Old Guide's Narrative," which was sent to
the _New York Weekly_, and came back, respectfully declined. It was
written on both sides of the sheets but I didn't know that this was
against the rules. Nothing abashed, I began another, and receiving
some instruction, from a friend of mine who was a clerk in a book
store, I wrote it on only one side of the paper. But mind you, he
didn't know what I was doing. Nobody knew it; but one day, after a
hard Saturday's work--the other boys had been out skating on the
brick-pond--I shyly broached the subject to my mother. I felt the need
of some sympathy. She listened in amazement, and then said: "Why, do
you think you could write a book like that?" That settled the matter,
and from that day no one knew what I was up to until I sent the first
four volumes of Gunboat Series to my father. Was it work? Well, yes;
it was hard work, but each week I had the satisfaction of seeing the
Public-domain text, read in full here on John Shaqi.
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