The Young Diana: An Experiment of the FutureCorelli, Marie
Science
The Young Diana: An Experiment of the Future
Corelli, Marie
Experiments -- Fiction; Psychological fiction; Rejuvenation -- Fiction; Science fiction; Single women -- Fiction
“That’s it! Doctor, you may thank your stars that your first test has
succeeded! Here I am, living!--and _something_ is dancing about in my
veins like a new sort of air and a new sort of sunshine! It’s a lovely
feeling!”
He rose from the chair where he had thrown himself in his momentary
dejection, and approaching her, took her hand and laid his fingers on
her pulse. He had entirely recovered his usual air of settled and more
or less grave composure.
“Yes,” he said, after a pause, “your pulse is firmer--and _younger_.
So far, so good! Now, obey me. Go and lie down in your own room for
a couple of hours. Sleep, if you can,--but, at any rate, keep in a
recumbent position. You have a charming view from your windows,--and
even in a grey autumn twilight like this, there is something soothing
in the sight of the Alpine snow-line. Rest absolutely quiet till
dinner time. And--afterwards--you will tell me how you feel,--or,
rather, I shall be able to judge for myself.” He released her hand,
but before doing so, kissed it with a Russian’s usual courtesy. “I
repeat,--you are a brave woman!--as brave as any philosopher that
ever swallowed hemlock! And, if your courage holds out sufficiently
to endure the whole of my experiment, I shall owe you the triumph and
gratitude of a life-time!”
CHAPTER XII
Once in her own pretty suite of rooms, Diana locked the door of the
_entresol_, so that no one might enter by chance. She wished to be
alone that she might collect her thoughts and meditate on the “narrow
escape” which she had experienced without actually realising any
danger. Her sitting-room was grey with the creeping twilight, and she
went to the window and opened it, leaning out to breathe the snowy
chillness of the air which came direct from the scarcely visible
mountains. A single pale star twinkled through the misty atmosphere,
and the stillness of approaching night had in it a certain heaviness
and depression. With arms folded on the window-sill she looked as far
as her eyes could see--far enough to discern the glimmering white of
the Savoy Alps which at the moment presented merely an outline, as of
foam on the lip of a wave. After a few minutes she drew back and shut
the window, pulling the warm tapestry curtains across it, and pressing
the button which flooded her room with softly-shaded electric light.
Then she remembered--she had been told to rest in a recumbent position,
so, in obedience to this order she lay down on the comfortable sofa
provided for her use, stretching herself out indolently with a sense of
delightful ease. She was not at all in a “lazing” mood, and though she
tried to go to sleep she could not.
“I’m broad awake,” she said to herself. “And I want to think! It isn’t
a case of ‘mustn’t think’ now--I feel I _must_ think!”
And the first phase of her mental effort was her usual one of
“wonder.” Why had she so much confidence in Dimitrius? How was it that
she was quite ready to sacrifice herself to his “experiment”?
Public-domain text, read in full here on John Shaqi.
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