The Young Diana: An Experiment of the FutureCorelli, Marie
Science
The Young Diana: An Experiment of the Future
Corelli, Marie
Experiments -- Fiction; Psychological fiction; Rejuvenation -- Fiction; Science fiction; Single women -- Fiction
Meanwhile, Diana, imprisoned in her luxurious suite of rooms, had
nothing to complain of. She read many books, practised her music,
worked at her tapestry, and last, not least, studied herself. She had
begun to be worth studying. Looking in her mirror, she saw a loveliness
delicate and well-nigh unearthly, bathing her in its growing lustre as
in a mysteriously brilliant atmosphere. Her eyes shone with a melting
lustre like the eyes of a child appealing to be told some strange sweet
fairy legend,--her complexion was so fair as to be almost dazzling,
the pure ivory white of her skin showing soft flushes of pale rose with
the healthful pulsing of her blood--her lips were of a dewy crimson
tint such as one might see on a red flower-bud newly opened,--and as
she gazed at herself and reluctantly smiled at her own reflection, she
had the curious impression that she was seeing the picture of somebody
else in the glass,--somebody else who was young and enchantingly
pretty, while she herself remained plain and elderly. And yet this was
not the right view to take of her own personality, for apart altogether
from her outward appearance she was conscious of a new vitality,--an
abounding ecstasy of life,--a joy and strength which were well-nigh
incomprehensible,--for though these sensations dominated every fibre
of her being, they were not, as formerly, connected with any positive
human interest. For one thing, she scarcely thought of Dimitrius at
all, except that she had come to regard him as a sort of extraneous
being--an upper servant told off to wait upon her after the fashion of
Vasho,--and when she went out with him, she went merely because she
needed the fresh air and loved the open skies, not because she cared
for his company, for she hardly spoke to him. Her strange behaviour
completely puzzled him, but his deepening anxiety for the ultimate
success of his “experiment” deterred him from pressing her too far with
questions.
One evening during the first week in June, when the moon was showing a
half crescent in the sky, a light wind ruffled the hundreds of roses
on bush and stem that made the gardens fragrant, he went to her rooms
to propose a sail on the lake. He heard her playing the piano,--the
music she drew from the keys was wild and beautiful and new,--but as
he entered, she stopped abruptly and rose at once, her eyes glancing
him over carelessly as though he were more of an insect than a man. He
paused, hesitating.
“You want me?” she asked.
“For your own pleasure,--at least, I hope so!” he replied, almost
humbly. “It’s such a beautiful evening--would you come for a sail on
the lake? The wind is just right for it and the boat is ready.”
She made no reply, but at once threw a white serge cloak across her
shoulders, pulling its silk-lined hood over her head, and accompanied
him along a private passage which led from the upper floor of the house
to the garden.
Public-domain text, read in full here on John Shaqi.
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