The Young Diana: An Experiment of the FutureCorelli, Marie
Science
The Young Diana: An Experiment of the Future
Corelli, Marie
Experiments -- Fiction; Psychological fiction; Rejuvenation -- Fiction; Science fiction; Single women -- Fiction
Instantly the tall Ethiopian appeared, and obeying his master’s
instructions, assisted him to lift the prone figure and lay it on a
bench near at hand. Then they both set to work to move a number of
ropes and pulleys which, noiselessly manipulated, proved to be an
ingenious device for lowering a sort of stretcher or couch, canopied in
tent-like fashion and made entirely of the same sort of double stranded
silk material in which Diana had clothed herself for her “sacrifice.”
This stretcher was lowered from the very centre of the dome of the
laboratory,--and upon it the two men, Dimitrius and his servant,
carefully and almost religiously placed the passive form, which now had
an appearance of extreme rigidity, like that of a corpse. Dimitrius
looked anxiously at the closed eyes, the waxen pallor of the features,
and the evident tension of the muscles of the neck and throat,--then,
with a kind of reckless swiftness and determination, he began to bind
the apparently lifeless body round and round with broad strips of the
same luminous sheeny stuff which composed the seeming funeral couch
of his “subject” in the fashion of an Egyptian mummy. Vasho, acting
under orders, assisted him as before--and very soon Diana’s form was
closely swathed from head to foot, only the eyes, mouth and ears
being left uncovered. The laboratory was now illumined only by its
own mysterious fires--outside was a dark summer sky, powdered with
faint stars, and every lingering reflex of the sunset had completely
vanished. With the utmost care and minutest attention Dimitrius now
looked to every detail of the strange, canopied bier on which the
insensible subject of his experiment was laid,--then, giving a sign
to Vasho, the ropes and pulleys by which it was suspended were once
more set in motion, and slowly, aerially and without a sound it swung
away and across the dark pool of water to a position just under the
great Wheel. The Wheel, revolving slowly and casting out lambent rays
of fire, illumined it as a white tent might be illumined on the night
blackness of a bare field,--it rested just about four feet above the
level of the water and four feet below the turning rim of the Wheel.
When safely and accurately lodged in this position, Dimitrius and his
servant fastened the ropes and pulleys to a projection in the wall,
attaching them to a padlock of which Dimitrius himself took the key.
Then, pausing, they looked at each other. Vasho’s glittering eyes,
rolling like dark moonstones under his jetty brows, asked mutely a
thousand questions; he was stricken with awe and terror and gazed at
his master as beseechingly as one might fancy an erring mortal might
look at an incarnate devil sent to punish him, but in the set white
face of Dimitrius there was no sign of response or reassurance. Two or
three minutes passed, and, going to the edge of the pool, Dimitrius
looked steadily across it at the white pavilion with its hidden burden
Public-domain text, read in full here on John Shaqi.
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