The Young Emperor, William II of Germany: A Study in Character Development on a ThroneFrederic, Harold
History
The Young Emperor, William II of Germany: A Study in Character Development on a Throne
Frederic, Harold
William II, German Emperor, 1859-1941
This last plan reflects the most marked artistic sense discoverable in
William. He is passionately fond of the theatre, and has enlightened
views about its popular usefulness. In decorating the tragedian, Ludwig
Barnay, he has put on record an act by a Prussian King which not even
his grandfather, the old Kaiser, enamoured of all things connected with
the stage as he was, could be brought to contemplate. He delighted in
the company of players to the end of his days, but he always frowned
when the possibility of stars and ribbons was hinted at. William’s
action, therefore, deserves special notice. It must be admitted that his
attitude toward the drama is dictatorial to a degree--very like that
which a general might be assumed to occupy toward a band of mummers
allowed inside the camp to amuse the soldiers; but the German drama is
framed to resist a great deal of pressure to the square inch, and is
indeed rather the better for it. Very comical are the stories told
in Berlin of the way in which William personally superintended the
rehearsals of Wildenbruch’s “The New Lord” last winter, criticizing and
instructing the actors, and rearranging the distribution of the cast to
suit his notions of their several capabilities. The fact that the drama
had for its principal incident the Great Elector’s dismissal of his
father’s Minister, Schwarzenberg, doubtless accounted for much of the
Emperor’s personal solicitude as to its proper presentation. But it is
not in William’s nature to refrain from meddling and dictating about
anything, no matter how trivial, in which his interest is aroused.
The young Kaiser was never what is called a bookish man, and, as has
been said before, the tremendous pressure of his daily work now leaves
him no time whatever for reading. But he still manages to secure a
certain amount of leisure for association with intimate friends, and
among these are a number of highly-cultured men. He gets from them what
others are obliged to seek in books. His inclinations seem to develop
steadily in the direction of respect for intellectual people and
products. It is a part of the phenomenon of belated growth which we have
traced from his thirtieth birthday; mentally and spiritually cramped up
to that time by the despotic influence of the small Bismarckian clique,
he had still the strength and ability to expand his mind and character
with splendid swiftness when finally the bonds were thrown off. One of
the pleasantest features of the Labour Conference gathering in Berlin
was the kindly and appreciative way in which William gave his chief
attention to the venerable Jules Simon, talked with him intelligently
about his works, and presented him with what of all possible gifts he
would most prize--some of the manuscript French writings of Frederic the
Great. It is more than likely that a twelvemonth before William did not
know anything at all about either Jules Simon or his books.
Public-domain text, read in full here on John Shaqi.
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