"I had forgotten," the Bishop said. So he stood by the table whilst that old man took off the great cope, the silver cross and the white robes and stole that were beneath and fetched a purple gown edged with fur—for he considered that Bishop to be cold and weak with the blood that had been let from him the day before as the custom was. Upon the Bishop’s head he set a furred cap, covering his ears, and hung round his neck once more the silver chain with the great crucifix in silver dependent. And so the Bishop, when he had drunk a little more wine, went up the stairs slowly to his chamber, and the vestiarius called in several pages and young boys and saw to it that they laid those vestments away in due order. The Bishop’s chamber had been taken out of a Norman gallery with pillars and arcades. Here many men-at-arms in parti-coloured woollen garments of natural wool and yellow, sat about on the floor or between the arcades, playing at dice together or drinking from flagons. Their immensely long pikes stood against the arches beside them. One, with his eyes shut, leaned back against the wall, saying prayers in penance for a crime he had committed. The Bishop, upon the monk’s arm passed slowly down this corridor to his chamber which had bare walls painted yellow in honour of St. Cuthbert; a great quantity of books, very big or very little, were upon shelves. A great many manuscripts in rolls lay upon other shelves, and papers that overflowed from chests, of which there were five, along one wall. There was a pallet bed in this room; a three-cornered stool and a coarsely hewed lectern; a prie-dieu and a crucifix. Thus it was a very bare room. This Bishop, though he affected somewhat great state before the people, was, in secret, a very ascetic man. Few people, however, came into this bare room—not even his highest officers. The square windows—but that had been done in Bishop Skirlawe’s days just a hundred years ago—were filled with bright glass, showing once again the history of the translation of St. Cuthbert. All in little squares this history was, monks with shaven heads crouching down as if the space would not contain them, and the head of Dun Cow showing yellow against a background of glass shining like pigeon’s blood rubies. One of these little, square casements hung open and through it the distant landscape showed clear, with hills grey and woods grey-blue, astonishing for its tranquillity. So, the monk Francis being sat up on his three-legged stool, the Bishop began to pace up and down before the long window space—backwards and forwards over the tiles, with an immense swiftness. Once he turned his face imperiously to where the monk sat and said harshly: "Pray God, you bring me no ill news." The monk, who had been gazing, out of respect, at the tiles, raised his glance to say: "I think it is rather good news." The Bishop said: