The Young O'Briens: Being an Account of Their Sojourn in LondonWestrup, Margaret
General
The Young O'Briens: Being an Account of Their Sojourn in London
Westrup, Margaret
Family life -- Fiction; Irish -- England -- Fiction; London (England) -- Fiction
"I’m sick of having no models!" she burst out passionately. "I haven’t
touched a horse for weeks! I—I’m just aching for the mere feel of them!
A cat! Beyond Kate Kearney I’m offered a cat! It’s like offering a
starving man a piece of sugar-stick! Denis, try to draw a cat! A heap
of stupid, meaningless fur! No muscles—no veins—oh, a horse is so
glorious to paint!" She broke off with a quick little laugh. "Twin
Nell ’pletely sorry," she said, using an old baby formula. "Tell me
what you’re let in for?"
"Not till you tell me what you’ve been up to."
"Oh, it was nothing. I saw a hansom waiting outside the corner house.
Ripping little chestnut, Denis," her whole-face kindled irresistibly;
"the driver told me she was almost a thoroughbred. When a car passed
along the top of the road, she played-up beautifully. Oh, the drawing
in her! Well, I saw her from a window and seized up my sketch-book and
bolted up the road. Now, is there any harm in that? I asked the driver
how long he thought he’d be, and he smiled and said his fare was a
solicitor who’d come to a client’s house on business. ’They charge for
their time, miss!’ he said meaningly, so I rejoiced and started
sketching her in. And he was such a nice man, too. He’d actually been
to the Dublin horse show a few years ago. We had an argument about our
horses. And he made her put her head as I wanted, and he told me how
he’d come across her, and then—oh, I’d left the hall door open, of
course, and Aunt Kezia—oh, Denis, you’d think I’d committed something
much worse than a murder!"
"Show me the sketch."
"I did one of her—and then several bits—quite rough. I’m going to paint
her into that picture I was doing."
"It’s splendid, Nell. What a cute little beast!"
"Now tell me what you’ve been let in for?"
"A speech! A lecture! Old Yovil has let us all in for it. You can’t
say no to him somehow—he sort of works you up. Lancaster’s swearing
like the wind round the Craffrone tower. He says he must have been out
of his mind to say he’d do it, but he can’t go back now. It’s to be on
the third. Choose any subject you like—write it up—no notes, though—and
spout forth in his drawing-room to a long-suffering audience. There’re
six of us going in for it, and a ripping edition of all the immortal
Billy’s plays for the winner."
"Which will be you," annotated Nell with conviction.
"Not it! There’s one chap—Morley—poetical sort of ass, who wears his
hair too long—he’ll beat me in a canter, my dear, not to mention the
others."
"I’ll come and hear you, won’t I, Denis?"
"Wish you could! But there won’t be any ladies. Only us and Yovil, you
know."
After luncheon a maid came to ask if the Atom might go and have tea with
Stewart. Sheila Pat, her Pearl clasped beneath one arm, and a
spelling-book beneath the other, interviewed her in the hall.
"I’m not comin’, thank you, Mary."
The maid hesitated. "If you could, miss—"
"I have reasons of my own for not comin’, Mary."
Public-domain text, read in full here on John Shaqi.
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